Takashi Homma
The Narcissistic City

What kind of gaze does the city license? What kind of gaze does it induce, determine, inform, program, organise? What is the nature of the city as reality, as image and as symbol? What is this object of desire, at once near and ungraspable, fascinating and repulsive, attractive and intractable, necessary and unbearable, intimate and impenetrable, available and inaccessible, that it is for itself as well as for the man of the crowd, for the man in the street, for the man of the city, for those who inhabit it and those merely passing through it, for anyone who knows that it is a labyrinth but nonetheless allows himself to remain trapped in it?
Hubert Damisch

Takashi Homma uses fragments collected in camera obscura constructed in metropolitan areas of Japan and the US to build a city image by image. Homma does not seek to index any particular city but to render a shadow world, a city's unconscious caught in a dark chamber, suspended in the camera’s box. The camera obscura offers a repetition, like the reflection shimmering in Narcissus’s pool. The narcissistic city is a city transfixed upon its own image – a mirror city, laced with repetition (modular) and reflections (glass). A city looking at its reflection, a city caught in a dark chamber, a city observing its camera obscura inversion – flickering inside the camera’s box.

Takashi Homma is a Japanese photographer. His monograph, Tokyo Suburbia (Korinsha,1998) won the Kimura Ihei Award in 1999.

 

In the press

Musee Magazine
deVolkskrant
Photo Eye
Photobook Store
Photo-Eye Blog
Garage Magazine
Fantom Editions
Purple Magazine
American Suburb X
Observador
Professional Photography magazine
Lens Culture
SP-Arte Picks
Photon Magazine
Fotografia Magazine
Fotografia

Signed copies here (Shipping from UK ONLY)

Paperback with dustjacket and multiple gatefolds

112 pages
62 colour plates
24 cm x 31.5 cm

Publication date: April 2016

€55.00 £45.00 $60.00

ISBN 9781910164600


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