{"title":"Art","description":"","products":[{"product_id":"the-complete-papers-br-thomas-demand","title":"The Complete Papers","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"color: #ff0000;\"\u003eWinner of the Best Book on Contemporary Art, \u003c\/span\u003e\u003cspan style=\"color: #ff0000;\"\u003eRichard Schlagman Art Book Awards 2019\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Complete Papers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall and Alexander Kluge, contributions by Parveen Adams, Francesco Bonami, Teju Cole, Beatriz Colomina, Jeffrey Eugenides, Julia Franck, Hal Foster, Rachel Kushner, Ben Lerner, Jacques Rancière, Gary Shteyngart, Neville Wakefield, to name a few, is concluded by a complete exhibition listing and bibliography.\u003c\/p\u003e\n\u003cp\u003eThis hardback volume, housed in a printed and embossed slipcase, which also includes a Demand work printed on the interior lining, is the primary authority on the work of one of the most important artists of the 21st century.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Christy Lange\u003cbr\u003eDesign by Naomi Misuzaki\u003cbr\u003eTexts by Jeffrey Eugenides, Neville Wakefield, Julia Franck, Russell Ferguson, Adrian Searle and Francesco Bonami, inter alia\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":13721411846208,"sku":"9781910164907","price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TheCompletePapers_Cover1.jpg?v=1733414601"},{"product_id":"the-polish-rider-br-the-polish-rider","title":"The Polish Rider","description":"\u003cdiv class=\"notbold\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the winter of 2015, Ben Lerner wrote a short story,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Polish Rider\u003c\/em\u003e, incorporating fictionalized elements of the life and work of the artist, Anna Ostoya, who had recently lost two of her canvases in the back of an Uber. As the narrator of the story helps the artist search for the missing canvases, he fantasizes about “recuperating the lost paintings through prose,” about how the verbal might take the place of the visual. After the story was published in The New Yorker, Ostoya painted the painting Lerner had invented based on her earlier work, transforming the fiction without changing any of the words. Ostoya went on to produce a series of compositions that respond to the story she’d helped inspire.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Polish Rider\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the result of this ongoing conversation across media and genres. In addition to the story, this volume includes an essay by Lerner that describes how Ostoya’s actual body of work catalyzed the fiction, as well as the contingencies and uncanny correspondences that have shaped their exchange. Ostoya’s compositions — both those that prompted Lerner’s writing and those that take it up — are never merely illustrative. Instead, they keep literature from having the last word. In this unclassifiable volume, the boundaries between fact and fiction, original and reproduction, text and image, flicker as you read and look.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":14400814481472,"sku":"9781912339013","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/ThePolishRider_Cover1.jpg?v=1733413991"},{"product_id":"fish-story-br-allan-sekula","title":"Fish Story","description":"\u003cp\u003eCompleted between 1989 and 1995,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esaw Allan Sekula’s career-long pursuit of a contemporary ‘critical realism’ reach its most complex articulation.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereconstructed a realist model of photographic representation, while taking a critical stance towards traditional documentary photography. It also marked Sekula’s first sustained exploration of the ocean as a key space of globalisation. A key issue in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the connection between containerized cargo movement and the growing internationalization of the world industrial economy, with its effects on the actual social space of ports.\u003c\/p\u003e\n\u003cp\u003eThe ambition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003elies both in its immense complexity and global scope and in its emphatic challenge to the dominant climate of postmodern theory and practice of the late 1980s and early 1990s.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoccupies a pivotal place in a gradual shift, still nascent in the early 1990s, from a widespread culture of resignation and cynicism to one of renewed radical engagement in the art world.\u003c\/p\u003e\n\u003cp\u003eThis new edition of the long out-of-print seminal publication includes a new introduction by Professor Laleh Khalili [SOAS University].\u003ca href=\"https:\/\/lintervalle.blog\/2018\/09\/20\/fish-story-la-globalisation-selon-allan-sekula-photographe\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":45995488182498,"sku":"9781912339044","price":40.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":45995488215266,"sku":"9781912339044E","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover15.jpg?v=1573740630"},{"product_id":"photography-against-the-grain-essays-and-photo-works-1973-1983-br-allan-sekula","title":"Photography Against the Grain: Essays and Photo Works, 1973–1983","description":"\u003cp\u003eLong out of print, this seminal collection of essays and photographs by artist, theorist, and filmmaker Allan Sekula was originally published by the Nova Scotia College of Art and Design in 1984. Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider’s position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities, and the institutional structures that reinforce cultural biases.\u003c\/p\u003e\n\u003cp\u003eAllan Sekula (1951–2013) was an American artist, whose work spans multiple media: long form photographic series (\u003cem\u003eAerospace Folktales,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e1973;\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSchool as a Factory,\u003c\/em\u003e1980;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Without Bodies,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e1991\/96), critical texts (\u003cem\u003eThe Body and the Archive,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e1986 and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDebating Occupy\u003c\/em\u003e, 2012) and film (\u003cem\u003eThe Forgotten Space,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e2012).\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":56647171277173,"sku":"9781910164495","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/PHAgainstheGrain_cover1.jpg?v=1733407988"},{"product_id":"buon-fresco-br-tacita-dean","title":"Buon Fresco","description":"\u003cp\u003eSt Francis of Assisi was the saint who humanised sainthood. He was a man with an ordinary body and ordinary desires. As Tacita Dean writes, 'He rolled naked in the snow to quell his urges and trod the land on paths and roads that are still wending their way through the hills and forests of Umbria today…. His concerns are contemporary: his love of the earth is ecology, his care for its creatures, animal welfare, and his understanding of his fellow humanity is modern-day social science. He is the saint whom mankind can realistically aspire to emulate, because his humanness, his humanity lies just within our mortal reach.'\u003c\/p\u003e\n\u003cp\u003eIn her work,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBuon Fresco\u003c\/em\u003e, 2014, Dean filmed details of Giotto's frescos in the Upper Basilica in Assisi using a macro lens, in order, she said, to have the perspective of the artist himself. Giotto humanised the depiction of people in painting in a parallel way to St Francis's humanising of sainthood, and this moment, when the radical artist depicted the radical saint is an extremely important juncture in the history of art. Frescoes are meant to be seen from a distance, so this book provides a revelatory view of the minutiae and sophistication of Giotto's brushstrokes, which at times anticipates the future canon of mark marking in Western painting.\u003ca href=\"http:\/\/www.mackbooks.co.uk\/press\/2%20Weltkunst_News_TacitaDean_BuonFresco_August2016.pdf\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":14423733076032,"sku":"9781910164280","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/BuonFresco_Cover1.jpg?v=1733406727"},{"product_id":"blossom-br-ben-lerner-thomas-demand","title":"Blossom","description":"\u003cp\u003eThe texts and images presented here are part of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlossom,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea collaboration between the artist Thomas Demand and writer Ben Lerner. The images relate to a detail from a photograph of Katherine Russell, widow of Tamerlan Anzorovich Tsarnaev leaving her home in Boston, that first appeared in the New York Times on 4 May 2013.\u003c\/p\u003e\n\u003cp\u003eThomas Demand’s work lures the viewer into a reality that is not what it appears to be. Carefully contrived from paper, these imaginary worlds are sculpted, photographed and destroyed. The traces which remain are events in which the protagonist is removed, scenes that are both familiar and out of reach. Demand’s work has been shown extensively across the world and is included in most of the significant private and institutional collections. Recent books include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/collections\/frontpage\/products\/the-dailies-br-thomas-demand\"\u003eThe Dallies\u003c\/a\u003e \u003c\/em\u003e(MACK, 2012) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eModel Studies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Ivory Press, 2011).\u003c\/p\u003e\n\u003cp\u003eBen Lerner is the author of three books of poetry:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lichtenberg Figures, Angle of Yaw\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMean Free Path,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eall published by Copper Canyon Press. He is the author of two novels,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLeaving the Atocha Station,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epublished by Coffee House Press, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e10:04,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eout this year from Faber \/ FSG. His recent writing on art and literature can be found in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt in America, Frieze, Harper’s,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe London Review of Books.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eHe has been a finalist for the National Book Award and has received Fulbright, Howard, and Guggenheim Fellowships, among other honors.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14522550714432,"sku":"9781907946561","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14522550812736,"sku":"9781907946561S","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Blossom_Cover1.jpg?v=1733396833"},{"product_id":"buon-fresco-special-edition-br-tacita-dean","title":"Buon Fresco Special Edition","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e St Francis of Assisi was the saint who humanised sainthood. He was a man with an ordinary body and ordinary desires. As Tacita Dean writes, 'He rolled naked in the snow to quell his urges and trod the land on paths and roads that are still wending their way through the hills and forests of Umbria today…. His concerns are contemporary: his love of the earth is ecology, his care for its creatures, animal welfare, and his understanding of his fellow humanity is modern-day social science. He is the saint whom mankind can realistically aspire to emulate, because his humanness, his humanity lies just within our mortal reach.'\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn her work,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBuon Fresco\u003c\/em\u003e, 2014, Dean filmed details of Giotto's frescos in the Upper Basilica in Assisi using a macro lens, in order, she said, to have the perspective of the artist himself. Giotto humanised the depiction of people in painting in a parallel way to St Francis's humanising of sainthood, and this moment, when the radical artist depicted the radical saint is an extremely important juncture in the history of art. Frescoes are meant to be seen from a distance, so this book provides a revelatory view of the minutiae and sophistication of Giotto's brushstrokes, which at times anticipates the future canon of mark marking in Western painting.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":15359258394688,"sku":"9781910164280SE","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers121.jpg?v=1573740594"},{"product_id":"holy-bible","title":"Holy Bible (Second printing)","description":"\u003cp\u003eViolence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, \u003cem\u003eHoly Bible,\u003c\/em\u003e Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated \u003cem\u003eHoly Bible\u003c\/em\u003e mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":16540692906048,"sku":"9781907946417_2","price":200.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":39311332016286,"sku":"9781907946417S_2","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover144.jpg?v=1585048988"},{"product_id":"the-swamp-br-sofia-borges","title":"The Swamp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eWinner of\u003cspan\u003e \u003c\/span\u003ethe\u003cspan\u003e \u003c\/span\u003e2016 MACK First Book Award\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Reality as mud as dense as air” reads the spine of Sofia Borge’s book The Swamp, and equally, the series of photographs that she presents is as leaden as it is impenetrable. Spanning a seven-year period, it largely records Borges’ countless visits to natural history museums, zoos, aquariums and research centres where the artifice of reality became her point of focus. For Borges, displays such as dioramas serve as the ultimate form of representation, where objects have the virtuous task of representing “themselves” – a type, genre or group that is inherently bound to language through layers of history and meaning. As a motionless walrus lies in its plastic Antarctic locale and the beady eye of a fossilised bird catches your glance, what glares back at you from the depths of The Swamp is not the thing itself, but the image, of an image, of an image.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e“What I seek are images, which, in their very artifice, are able to present themselves as a problem”, Borges has said. 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In 2012, she partook in the 30th São Paulo Biennial and has since been granted numerous awards, including nominations for the Paul Huf Award (2013, 2014).\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":43505425776866,"sku":"9781910164624","price":175.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":43505425842402,"sku":"9781910164625S","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers159.jpg?v=1584967155"},{"product_id":"nationalgalerie-br-thomas-demand","title":"Nationalgalerie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThomas Demand's work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGerman language only\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24243857129536,"sku":"9783865219411","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers217.jpg?v=1573740701"},{"product_id":"la-carte-dapres-nature-br-thomas-demand","title":"La Carte d'après nature","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eLa Carte d'apres Nature\u003c\/em\u003e, published to accompany an exhibition curated by Thomas Demand at Nouveau Musée National de Monaco, takes its title from a short-lived art magazine created by René Magritte between 1951 and 1954. Magritte's publication ran for just fourteen issues and each consisted of a postcard, featuring loosely connected poetry, illustrations and short stories. In a similar fashion,Thomas Demand has selected artworks by eighteen artists that are related to each other in an associative manner.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe selected work is connected by two ideas: tamed nature and Surrealism as an artistic form fashioned by Magritte. Just as Magritte himself related ideas from different eras, Demand chose works by different generations of artists: Saâdane Afif, Kudjo Affutu, Becky Beasley, Martin Boyce, Tacita Dean, Thomas Demand, Ger Van Elk, Chris Garofalo, Luigi Ghirri, Leon Gimpel, Rodney Graham, Henrik Håkansson, Anne Holtrop, August Kotzsch, René Magritte, Robert Mallet-Stevens, and Jan and Joel Martel.\u003c\/p\u003e\n\u003cp\u003eThe book, designed by Thomas Demand and Naomi Misuzaki, takes Margritte's notion of free association further, combining the wide range of works into an elaborate exploration of the disjuncture between the representation of art and the representation itself. Christy Lange's engaging essay traces this idea that a representation of nature is always a simulacrum through the work of the different artists, for example, relating the surrealist resonance of Italian photographer Luigi Ghirri's 'impossible landscapes' to Margritte's playful canvases and Demand's photographs of his paper sculptures.\u003c\/p\u003e\n\u003cp\u003eTexts by Tacita Dean, Rodney Graham, Luigi Ghirri and Thomas Demand are threaded through the segue of images and the object is completed with a second book housed in an envelope neatly built into the back endpaper of the catalogue, a facsimile of a Luigi Ghirri manuscript for a small book of photographs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24249686884416,"sku":"9781907946011","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers194.jpg?v=1584961589"},{"product_id":"mark-dion-br-oceanomania","title":"Oceanomania","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003eAvailable in English and French\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eOceanomania\u003c\/em\u003e investigates the evolution of our fascination with the sea, in time and space, design, literature and art, revealing how the uncanny and marvelous have inspired artistic research. Continuing his investigations as a naturalist, archaeologist and traveler, the American artist Mark Dion explored the collections of the Oceanographic Museum of Monaco to create a monumental curiosity cabinet and dived into the collections of the Nouveau Musée National de Monaco (NMNM) to present a major intervention at Villa Paloma, one of the NMNM's exhibition spaces. The accompanying publication, Oceanomania: Souvenirs of Mysterious Seas published by MACK and NMNM combines installation images from the exhibition, original artist imagery and essays from various writers exploring the different facets of the exploration of the seas and the challenges in exhibiting a marine world above sea level. Two significant and contrasting recent maritime events form the conceptual framework of Dion's project. These are the recently completed Census of Marine Life (2010) and the Deepwater Horizon oilrig explosion. The first brought together 2,700 scientists from 80 nations over a 10-year period to assess and explain the diversity, distribution and abundance of life in the oceans. The second, the Deepwater Horizon oilrig explosion led to 4.9 million barrels of crude oil being spilled into the seas of the Gulf of Mexico, producing an 80 square mile kill zone and causing extensive damage to marine life. Its consequences are expected to be felt for decades to come.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"English","offer_id":36881715298462,"sku":"9781907946073","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"French","offer_id":36881715331230,"sku":"9781907946110","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers192.jpg?v=1573740686"},{"product_id":"there-i-was-br-collier-schorr","title":"There I Was","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThere I Was\u003c\/em\u003e marks a shift in medium and a conceptual departure for Collier Schorr. She is best known for her photographic studies of a real and imagined town in southern Germany, works which tease the accepted artifice of photography to forge an appropriated remembrance of German histories. Schorr found drawing a more acute medium to describe events that took place in the neighbourhoods of her childhood, specifically the muscle car counter culture of the 1960s in Long Island and Queens, NY. This history is related through the short but spectacular life of charismatic 19 year-old drag car racer Charlie Astoria Chas Synder and his 67 Ko-Motion Corvette. At the age of four Schorr accompanied her father, an automotive photographer and journalist, to a local race track where she watched Astoria Chas work on his car. A subsequent article followed, with the now eerie headline While Astoria Chas is doing his thing in Vietnam his friends are racing his L-88. By the time the article was published, Charlie Snyder had died in action in Vietnam. There I Was is Snyder's story and Schorrs dilemma. He was there, she was not. The project examines the role of the photograph as proof of the photographer's presence, territory and view, and the difficulty of representing any past without the theatricality of re-staging it. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased entirely on photography, the book engages with the medium and simultaneously challenges the role of the photograph as document of the past. Using a collision of source materials for the drawings, beginning with her fathers images and Snyders own snapshots taken in Vietnam, Schorr then draws from professional reportage pictures, so as to describe, literally sketch out, one monumental trip from Queens to Vietnam and back. These drawings are contrasted by reproductions of vintage car magazine articles and Schorrs own photograph portraits. There I Was is a complex and multi-faceted look at escape, culture, dreams and mortality, conjuring up an expressionistic portrait of the dichotomies of the late 1960s in a fractured wartime America.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24254165942336,"sku":"9783865216168","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers174.jpg?v=1573740840"},{"product_id":"handbook-of-the-spontaneous-other-aikaterini-gegisian","title":"Handbook of the Spontaneous Other","description":"\u003cp\u003eIn \u003cem\u003eHandbook of the Spontaneous Other\u003c\/em\u003e, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced — from pornographic magazines, tourist catalogues and National Geographic spreads — in order to subvert the way that the body, nature and pleasure have been represented in Western capitalist fantasies.\u003c\/p\u003e\n\u003cp\u003eDivided into nine chapters that follow a metaphysical narrative of colour and sensation, the book ultimately seeks to locate a ‘spontaneous other’; a notion of the self and of pleasure that exists beyond the confines of popular culture and its dominant modes of representation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":31505963810868,"sku":"9781912339693","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":31506590597172,"sku":"9781912339693S","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover333.jpg?v=1583234515"},{"product_id":"holy-bible-first-printing-br-adam-broomberg-oliver-chanarin","title":"Holy Bible (First printing)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eViolence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, \u003cem\u003eHoly Bible,\u003c\/em\u003e Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated \u003cem\u003eHoly Bible\u003c\/em\u003e mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":43225592529122,"sku":"9781907946417_1","price":400.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":43225592561890,"sku":"9781907946417S_1","price":750.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover144_e2782804-f731-4882-b7a5-9e027559acec.jpg?v=1585048985"},{"product_id":"the-shabbiness-of-beauty-br-moyra-davey-peter-hujar","title":"The Shabbiness of Beauty","description":"\u003cp\u003e\u003cem\u003eThe Shabbiness of Beauty\u003c\/em\u003e is a visual dialogue that crosses generational divides with the easy intimacy of a late-night phone call. Multidisciplinary artist Moyra Davey delved into Peter Hujar’s archives and emerged mainly with little-known, scarcely seen images. In response to these, Davey created her own images that draw out an idiosyncratic selection of shared subjects. Side by side, the powerfully composed images admire, tease, and enhance one another in the manner of fierce friends, forming a visual exploration of physicality and sexuality that crackles with wit, tenderness, and perspicacity. Spiritually anchored in New York City – even as they range out to rural corners of Quebec and Pennsylvania – these images crystallise tensions between city and country, human and animal. Nudes pose with unruly chickens; human bodies are abstracted toward topography; seascapes and urban landscapes share the same tremulous plasticity. These continuities are punctuated by stark differences of approach: Davey’s self-aware postmodernism against Hujar’s humanism and embrace of darkroom manipulation. The rich dialogue between these photographs is personal and angular, ultimately offering an illuminating reintroduction to each celebrated artist through communion with the other’s work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ddrBR_H4VCQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":37092769988766,"sku":"9781913620202","price":35.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":37092770021534,"sku":"9781913620202S","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover488.jpg?v=1619453493"},{"product_id":"politics-and-passions-br-anna-ostoya-chantal-mouffe","title":"Politics and Passions","description":"\u003cp class=\"p1\"\u003eArt can contribute to changing the world. It can bring new forms of subjectivity. We need to bring people to see things differently. Political subjectivities are not just an expression of a position you’re in. They are discursively constructed in a multiplicity of practices.‘ \u003cem\u003eChantal Mouffe\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003eIn 2009, the artist Anna Ostoya created a booklet with textual collages using an essay by the political theorist Chantal Mouffe, ‘Politics and Passions: The Stakes of Democracy’ (2002). In the essay, Mouffe critiqued the then-dominant ‘beyond left and right’ politics of neoliberalism and warned of its dangers – the rise of right-wing populist parties. Fascinated by Mouffe’s strikingly prophetic ideas, as well as her bold call to fight the status quo in order to radicalise democracy and to prevent violence, Ostoya returned to the booklet in 2019. She composed for it a series of portraits based on sketches of people on the New York City subway and on reproductions of her paintings and collages from the preceding decade. She also conducted a conversation with Mouffe about the politics of the last forty years, about the contemporary moment and about art, which is included in this publication.\u003c\/p\u003e\n\u003cdiv title=\"Page 26\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, an idea, or another individual across an extended text. Explore the full series \u003cspan draggable=\"true\"\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/collections\/discourse\" rel=\"noopener noreferrer\" target=\"_blank\"\u003ehere\u003c\/a\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kvHLHpU5pAg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40353912946846,"sku":"9781913620196","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/DISCOURSE_9.jpg?v=1722259506"},{"product_id":"mundo-de-papel-br-thomas-demand","title":"Mundo de Papel","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished on the occasion of a major solo exhibition at the Centro Botín in Santander, \u003c\/span\u003e\u003ci data-stringify-type=\"italic\"\u003eMundo de Papel\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eexplores the work of Thomas Demand in his most ambitious book to date. This extraordinary publication makes use of sophisticated paper mechanics in the form of pop-ups to represent the eight pavilions Demand designed to be suspended in the Centro Botín, each of which replicates an urban landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eThe volume includes a separate book of installation views of the exhibition and a newly commissioned text by Nobel laureate Mario Vargas Llosa. \u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6Z51FW3HMUA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40110211137694,"sku":"9781913620523","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/MundoDePapel1.jpg?v=1714746030"},{"product_id":"the-stutter-of-history-br-thomas-demand","title":"The Stutter of History","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished to accompany a worldwide touring exhibition, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" data-stringify-type=\"italic\"\u003eThe Stutter of History\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e brings together a wide-ranging survey of works spanning the arc of Thomas Demand's career and offers insight into how we might approach the onslaught of historical events that we consume in the form of images. \u003c\/span\u003e\u003cspan\u003eThis extensive book displays the breadth and depth of Demand’s artistic accomplishment, demonstrating in one volume why he is considered one of the world’s foremost contemporary artists. Includes a new short story by award-winning author Ali Smith written in response to a work by Demand, as well as an illuminating essay by Douglas Fogle, curator of the exhibition,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003ea\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" class=\"\"\u003end an essay by Margaret Iversen\u003c\/span\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eFrench edition available\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/le-begaiement-de-l-histoire-br-thomas-demand\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003eAccompanying a retrospective exhibition of Thomas Demand's work at:\u003cbr\u003eUCCA Edge, Shanghai (April 2–June 19, 2022)\u003cbr\u003eTaipei Fine Arts Museum, Taipei City (July 30-October 30, 2022)\u003cbr\u003eJeu de Paume, Paris (February-May, 2023)\u003cbr\u003eIsrael Museum, Jerusalem (July, 2023-January, 2024)\u003cbr\u003eMuseum of Fine Arts, Houston (June-September, 2024)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vs5EvRpwaFY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42091934318818,"sku":"9781913620677","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TheStutterofHistory3.jpg?v=1714747058"},{"product_id":"scumb-manifesto-br-justine-kurland","title":"SCUMB Manifesto","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cspan class=\"s1\"\u003eShortlisted for the \u003c\/span\u003eParis Photo–Aperture PhotoBook Awards 2022\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003eInspired by Valerie Solanas’ iconoclastic feminist tract \u003cem\u003eSCUM\u003c\/em\u003e (Society for Cutting Up Men) \u003cem\u003eManifesto\u003c\/em\u003e, \u003cem\u003eSCUMB Manifesto\u003c\/em\u003e introduces us to photographer Justine Kurland’s own uncompromising initiative: the Society for Cutting Up Men’s Books. This volume presents a collection of collages Kurland created by cutting up and reconfiguring photobooks by male artists, as she went through the process of purging her own library of roughly 150 books by straight white men that have monopolized the photographic canon. The nature of collage — heterogeneous, pulled apart, shape shifting, disrupted, cyborg, fantasy — has long made it a feminist strategy in life and in art. \u003cspan data-mce-fragment=\"1\"\u003eKurland's ritual is restorative and loving: each work\u003c\/span\u003e is a reclamation of history; a dismemberment of the patriarchy; a gender inversion of the usual terms of possession; and a modest attempt at offsetting a life of income disparity. While markedly different in style, the defiant female visions pictured in these compositions are a continuation of those depicted in Kurland’s earlier photographic projects \u003cem\u003eGirl Pictures\u003c\/em\u003e (1997–2002) and \u003cem\u003eMama Babies\u003c\/em\u003e (2004–07). Each work in \u003cem\u003eSCUMB\u003c\/em\u003e sounds an electrifying call for freedom — the freedom to create, to destroy, to imagine, and to reshape our visual and social world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIncludes essays by Marina Chao, Renee Gladman, Catherine Lord, and Ariana Reines.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncludes a large-format pull-out poster in the back of the book.\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Poster_3_480x480.png?v=1646829845\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Poster_3_480x480.png?v=1646829845\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TSIcsWGc1Zs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":42091972198626,"sku":"9781913620561","price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":42091972231394,"sku":"9781913620561S","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/SCUMB_angledfront.jpg?v=1714746314"},{"product_id":"doug-aitken-works-1992-2022-br-doug-aitken","title":"Works 1992–2022","description":"\u003cp class=\"p1\"\u003eThis comprehensive new book explores the career of multimedia artist Doug Aitken, following the path from his first major works in the late 1990s through to the present day. Aitken’s work encompasses large-scale film installations such as \u003cspan class=\"\"\u003e\u003cem\u003eSleepwalkers\u003c\/em\u003e \u003c\/span\u003e(2007), site-specific sculptures including his \u003cspan class=\"\"\u003e\u003cem\u003eUnderwater Pavilions\u003c\/em\u003e \u003c\/span\u003e(2016) installed off the coast of Catalina Island, California, and peripatetic happenings like \u003cem\u003e\u003cspan class=\"\"\u003eStation to Station \u003c\/span\u003e\u003c\/em\u003e(2013), which saw a train containing a travelling studio cross the USA from the Atlantic to the Pacific, staging unique performance events at each stop. Weaving together images and text in an energetic composition of rhythm and movement, this authoritative volume mirrors the ways in which Aitken has approached and explored the contemporary world in his conceptual body of work across multiple mediums.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"\"\u003eWith an introduction by Joseph Akel and a new extended essay on Aitken’s oeuvre by Daniel Birnbaum, plus archival essays and interviews with the artist by writers including Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon, and Jörg Heiser.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":42092288606434,"sku":"9781913620257","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":43017169010914,"sku":"9781913620257S","price":105.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/DougAitken.jpg?v=1714745286"},{"product_id":"please-send-to-real-life-ray-johnson-photographs-br-joel-smith-ed","title":"PLEASE SEND TO REAL LIFE: Ray Johnson Photographs","description":"\u003cp class=\"p1\"\u003eA widely connected pioneer of Pop and mail art, Ray Johnson was described as ‘New York’s most famous unknown artist.’ Best known for his dense, allusive collages, he stopped exhibiting in 1991, but his output did not diminish. Between 1992 and 1994, using 137 disposable cameras, he created a large body of work that is only now coming to light. Staging his artworks in settings near his home in Locust Valley, Long Island — parking lots, sidewalks, beaches, cemeteries — Johnson made photographs that make the world of everyday ‘real life’ a part of his art. Within a few months, he devised a large new freestanding format for the simplified collages he began calling the ‘movie stars’ of his camera tableaux. When he swam to his death at sea on 13 January 1995, Johnson left behind a vast archive that included over three thousand of the late photographs. What he called his ‘new career as a photographer,’ which makes its debut in print here, marked the close of a romance with the camera that had spanned four decades of relentless invention.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book accompanies an exhibition running 17 June - 2 October 2022 at the Morgan Library \u0026amp; Museum, New York, and includes an essay by the curator, Joel Smith.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NK-8qZx8Vrg\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42092417024226,"sku":"9781912339877","price":32.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Pleasesendtoreallife1.jpg?v=1714746093"},{"product_id":"evidence-br-james-white","title":"Evidence","description":"\u003cp class=\"p1\"\u003eThis limited edition artist’s book brings together digital collages and manipulated photographs by painter James White based on the celebrated and hugely influential series\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEvidence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Mike Mandel and Larry Sultan. In\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEvidence\u003c\/em\u003e, Sultan and Mandel drew on the archives of more than a hundred US government agencies, finding surreal narrative suggestions in deadpan images that were intended as functional documents, upending and interrogating the documentary natures they espoused. The book has been a continual reference for the grayscale photographic paintings for which James White has become known. In this volume, White pays tribute to Sultan and Mandel’s project by further undermining the evidentiary nature of the photographic medium through a process of intervention and painterly gesture which disrupts and reconstitutes the images’ mercurial surfaces.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003ePublished as a limited edition of 1000 signed copies.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42092447793378,"sku":"9781913620684","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Evidence_angled.jpg?v=1714745384"},{"product_id":"services-br-miranda-july","title":"Services","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003eA Limited Edition book sculpture by the renowned artist, writer and film director, Miranda July. At the very moment she realised that the covid emergency was taking grip of the globe, Miranda July received an unsolicited phone call offering ‘services’.\u003cbr\u003e\u003cbr\u003e“Normally I would have hung up; I’m still surprised I didn’t. I suppose when your world has just been blasted open you are distraught, yes, but also: open. I stepped outside and began answering the caller’s questions. It became obvious that this offer was directed towards a very specific niche of hungry, unaffiliated people: self-published authors. Through some error I had ended up on this list.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOver the course of the first six months of the pandemic, July communicated extensively with the caller, Richie Jay Benedicto, a trans woman in the Philippines. The resulting intimate exchange of ideas and images has been designed by July in to a book sculpture. The hand-made leporello (concertina) unfolds to more than 7 metres (23 feet) wide and includes 4 museum grade inkjet prints. \u003cspan data-mce-fragment=\"1\"\u003eConsisting in the following elements: a hand-made leporello bound (concertina) hardback book comprising 14 pages (each 516mm wide x 328 high); four museum grade inkjet prints (each signed by MJ, numbered 1\/25 to 25\/25); housed in a handmade slipcase.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach volume numbered 1\/25 - 25\/25 and signed by Miranda July and Richie Jay Benedicto.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42092493177058,"sku":"Services","price":3500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/ServicesFRONT.jpg?v=1714746403"},{"product_id":"tala-madani-biscuits-br-tala-madani","title":"Biscuits","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cem\u003eTala Madani: Biscuits \u003c\/em\u003eaccompanies the first North American survey of the Iranian-born artist’s \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epaintings and animations\u003c\/span\u003e. Organized by The Museum of Contemporary Art, Los Angeles (MOCA), the exhibition brings together fifteen years of the artist’s incisive work, highlighting the often absurd socio-cultural dynamics enacted within Madani’s art and, more broadly, the potent and combustible relationship between art history and global history. The publication is the most comprehensive on Madani’s work to date. Paintings and animations from Madani’s major series dating from 2005 to the present are represented by approximately eighty plates, which offer a rare look at the rich process by which the artist develops her ribald menagerie of characters. The catalogue also features a conversation between Madani and Ali Subotnick, guest curator of the exhibition, as well as new essays by Rebecca Lowery, MOCA Assistant Curator; Maggie Nelson, acclaimed Los Angeles-based writer; and Evan Calder Williams, Associate Professor at the Center for Curatorial Studies, Bard College. These essays range from personal to critical, encompassing contemplations of motherhood and sexual politics, as well as contextualizing Madani’s work in art history.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCo-published with The Museum of Contemporary Art, Los Angeles.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42845337911522,"sku":"9781913620806","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Biscuits_extra.jpg?v=1714647077"},{"product_id":"the-pliable-plane-the-wall-as-surface-in-sculpture-and-architecture-1945-75-br-penelope-curtis","title":"The Pliable Plane: The Wall as Surface in Sculpture and Architecture, 1945–75","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIn \u003cem\u003eThe Pliable Plane\u003c\/em\u003e, curator and historian Penelope Curtis traces the ways sculp­ture infiltrated architectural thought over the post-war period. Her study identifies the wall as a particular locus of creative thinking – a surface which produces both continuity and separation, and which similarly unites and distinguishes the two disciplines. Surveying a series of walls – carved, cast, applied, imagined, and even conceptual – in such places as bomb shelters, caves, war memorials, and public buildings, Curtis introduces a cast of renowned and lesser-known practitioners who defined the three-dimensional conception of the years 1945 to 1975.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith close readings of the work and lives of Henry Moore, Anni Albers, Frederick Kiesler, Jorge Oteiza, and Mary Martin, among others, Curtis’s lucid history encom­passes the developments of wartime production, the discovery of the Lascaux Caves, and the rise of relief art. Turning away from familiar pairings and dichotomies, it considers spaces and surfaces of coalescence and influence. Curtis compels us to understand the wall as support as much as partition, arguing for the centrality of this very pliability to the entwined development of both sculpture and architecture.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":44234789847266,"sku":"9781913620844","price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":44234789880034,"sku":"9781913620844E","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/ThePliablePlane3.jpg?v=1714747004"},{"product_id":"face-to-face-portraits-of-artists-by-tacita-dean-brigitte-lacombe-and-catherine-opie-br-helen-molesworth-ed","title":"Face to Face: Portraits of Artists by Tacita Dean, Brigitte Lacombe, and Catherine Opie","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eFace to Face\u003c\/em\u003e presents a selection of portraits of artists by three of the most prominent portrait artists of our time. Bringing together the diverse and distinctive work of Tacita Dean, Brigitte Lacombe, and Catherine Opie, this book forms an investigation into the charged genre of portraiture and its various approaches, navigating tensions between intimacy and publicity.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile the three artists collected here share a wide set of historical touchstones, each deploys the camera differently: Dean exploits cinema’s capacity for duration; Lacombe takes her cameras out on assignment; Opie works in the tradition of the studio photograph. Often overlapping in the subjects depicted, \u003cem\u003eFace to Face\u003c\/em\u003e offers an opportunity to look closely at bracing, intimate, and resonant portraits of the seminal thinkers and makers that these artists have encountered across the fields of music, painting, photography, film, and literature, among them Hilton Als, Maya Angelou, Richard Avedon, Joan Didion, David Hockney, Joan Jonas, Fran Lebowitz, Patti Smith, Kara Walker, and many others.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePublished in conjunction with an exhibition at the International Center of Photography (ICP), New York, the book includes essays by the exhibition’s curator, Helen Molesworth, and the artist and writer Jarrett Earnest\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43660724371682,"sku":"9781913620905","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/FacetoFace_angled.jpg?v=1714736253"},{"product_id":"the-artist-s-books-br-francesca-woodman","title":"The Artist’s Books","description":"\u003cp class=\"p1\"\u003eFrancesca Woodman made her first mature photographs at the age of thirteen and went on to create a body of work that has been critically acclaimed for its singularity of style and innovative approach to photography. Despite her lifetime accomplishments – which included solo and group exhibitions and the publication of one of her books – and her work being celebrated widely in the years since her untimely death in 1981, very little has been published about her remarkable series of artist’s books until now.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eFrancesca Woodman: The Artist’s Books\u003c\/em\u003e\u003cspan\u003e collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never been seen before, alongside better-known titles such as \u003c\/span\u003e\u003cem\u003eSome Disordered Interior Geometries\u003c\/em\u003e\u003cspan\u003e. The basis of these works is in tattered nineteenth- and early-twentieth-century journals and notebooks that Woodman collected from bookshops and flea markets in Rome in the late 1970s. She later transformed these found volumes, attaching her prints, transparencies, and written annotations to their evocative pages. These books demonstrate a sophisticated relationship to narrative and sequence and offer a new understanding of the scope of Woodman’s engagement with the book form.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43660743966946,"sku":"9781913620882","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/FrancescaWoodman_01_ebfea2f7-50cf-440d-8005-62237983944b.jpg?v=1714736314"},{"product_id":"the-dailies-expanded-edition-br-thomas-demand","title":"The Dailies (Expanded Edition)","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eThe Dailies\u003c\/em\u003e collects snapshots of a world unmistakably our own yet equally strange. Made through Thomas Demand’s renowned practice of constructing, photographing, and destroying meticulous paper models, this series captures minor, everyday moments based on iPhone photographs. Viewed together, they are an inventory of traces – signs of consumption, evidence of people just departed or out of sight, spectres of things left behind. Demand describes the series as a form of Haiku: simple fragments strung together to inspire reflection and help us take stock of our daily lives. 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Thomas Demand has spent the last two and a half decades bringing together his talents as both a sculptor and a photographer to capture the feedback loop between the world we inhabit and the photographic documents of it which lie at the root of our contemporary image culture. Bringing together a wide-ranging survey of photographs that span the arc of his career,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLe bégaiement de l’histoire\u003c\/em\u003e provides both an overview of the artist’s way of seeing the world and lesson in how we might approach the onslaught of historical events that we consume through the world of images. This extensive book displays the breadth and depth of Demand’s artistic accomplishment, demonstrating in one volume why he is considered one of the world’s foremost contemporary artists.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes new short stories by award-winning authors Ali Smith and Maylis de Kerangal written in response to a work by Demand, as well as illuminating essays by Douglas Fogle, curator of the exhibition, and critic Margaret Iversen. All texts published in French language.\u003c\/p\u003e\n\u003cp\u003eCo-published with Jeu de Paume and the Foundation for the Exhibition of Photography\u003cbr\u003eDesign by Naomi Mizusaki\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eCe catalogue en français accompagne une exposition rétrospective de l’œuvre de Thomas Demand au Jeu de Paume, Paris, dans le cadre d’une tournée mondiale. Au cours des deux dernières décennies Thomas Demand à réunir ses talents de sculpteur et de photographe pour capturer la boucle de rétroaction entre le monde que nous habitons et les documents photographiques qui sont à la base de notre culture contemporaine de l’image. Rassemblant un large éventail de photographies qui couvrent l’ensemble de sa carrière, \u003c\/span\u003e\u003cspan\u003e\u003ci\u003eLe bégaiement de l’histoire\u003c\/i\u003e\u003c\/span\u003e\u003cspan\u003e offre à la fois une vue d’ensemble de la façon dont l’artiste voit le monde et une réflexion sur la façon dont nous pouvons aborder l’assaut d'événements historiques que nous consommons à travers le monde des images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLe volume comprend deux nouvelles signées par les auteurs Ali Smith et Maylis de Kerangal, écrites en réponse à une œuvre de Demand, ainsi que des essais de Douglas Fogle, commissaire de l’exposition, et de la critique Margaret Iversen. Tous les textes sont publiés en langue française.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCo-publié avec le Jeu de Paume et Foundation for the Exhibition of Photography\u003cbr\u003eConception graphique : Naomi Mizusaki\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43855995011298,"sku":"9781913620790","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Lebegaiementdel_histoire_1.jpg?v=1714736900"},{"product_id":"the-triple-folly-br-thomas-demand","title":"The Triple Folly","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eThe Triple Folly\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003erecounts the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat’s Ebeltoft campus. The basis of the building is three found paper objects – a legal pad, a paper plate, and a soda jerk hat – which Demand brought to Caruso St John with the simple question ‘Can you make this into architecture?’ In response, the architects created a sculptural tripartite folly, a kind of inhabitable still life poised on the area’s rolling seaside hillocks, encompassing a meeting room, a kitchen, and a flexible living space which holds an artwork by the artist Rosemarie Trockel.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eInspired by Kvadrat’s role as a celebrated textile producer, Demand initially pursued the idea of the tent as an archetypal structure across contexts of leisure and shelter, simplicity and grandeur. Translating these concepts into his own artistic idiom of paper, he tasked Caruso St John with materialising this lightness of form, with a touch of his distinctive, duplicitous whimsy. The final building, completed in September 2022, achieves this through a harmonious sequence of steel and fibreglass structures which create their environments through the fall of light and shadow, textured opacity and welcoming transparency.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis comprehensive three-volume publication presents the evolution of the pavilion’s conception and construction through this meeting of disciplines. Thomas Demand’s original development sketchbooks are presented in facsimile across two extensive volumes. A third volume presents images of the completed buildings alongside con-versations with Frank Gehry, Denise Scott Brown, Adam Caruso, Valerie Verhack, Anders Byriel, and Emilie Appercé.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43660624363746,"sku":"9781915743077","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Kvadrat_angled_93563f94-b56c-4e01-9700-1c889ea0b3ff.jpg?v=1714736835"},{"product_id":"painting-photography-painting-selected-essays-br-carol-armstrong","title":"Painting Photography Painting: Selected Essays","description":"\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eEbook available via this listing, on \u003ca href=\"https:\/\/\/geo.itunes.apple.com\/us\/book\/painting-photography-painting\/id6468499274?ls=1\" style=\"color: #2b00ff;\"\u003eApple Books\u003c\/a\u003e and \u003ca href=\"https:\/\/books2read.com\/u\/b5wErp?store=amazon\" style=\"color: #2b00ff;\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003ePainting Photography Painting\u003c\/em\u003e is the essential first collection of essays by critic and theorist Carol Armstrong, bringing together writings encompassing the many inflection points of her academic work, including French painting, early photography, feminist theory, and the representation of women and gender in the visual arts. In the book’s titular essay, Armstrong asks of Ellen Gallagher’s 2008 painting \u003cem\u003eAn Experiment of Unusual Opportunity\u003c\/em\u003e, which depicts a barely-visible sea creature created out of ink, graphite, oil, varnish, and variously sliced paper, ‘in what sense is this a painting exactly?’ This enquiry into the very essence of the medium provides a thread that runs throughout the book’s wide-ranging essays and ties together a variety of works on paper ‘inscribed, drawn, printed, photographed, and variously pierced and punctured’.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eConsidering these various works, \u003cem\u003ePainting Photography Painting\u003c\/em\u003e provides a compelling path through Armstrong’s decades of writing, weaving together figures from across the nineteenth and twentieth centuries including Helen Frankenthaler, Paul Cézanne, Ellen Gallagher, Georges Seurat, Julia Margaret Cameron, Tina Modotti, and Diane Arbus in a single, illuminating volume.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":56754187796853,"sku":"9781913620974","price":27.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":56754187829621,"sku":"9781913620974E","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/paintingphotography_angled_ae1bcac8-9f3a-4bbe-bc25-96c1eff4ce58.jpg?v=1714737526"},{"product_id":"the-triple-folly-single-volume-br-thomas-demand-caruso-st-john","title":"The Triple Folly (Single Volume)","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eThe Triple Folly\u003c\/em\u003e presents the rich collaboration between artist Thomas Demand, architects Caruso St John, and textile makers Kvadrat which produced an astonishing new pavilion for Kvadrat’s Ebeltoft campus. The basis of the building is three found paper objects – a legal pad, a paper plate, and a soda jerk hat – which Demand brought to Caruso St John with the simple question: ‘Can you make this into architecture?’ In response, the architects created a sculptural tripartite folly, a kind of inhabitable still life poised on the area’s rolling seaside hillocks, encompassing a meeting room, a kitchen, and a flexible living space which holds a textile work by the artist Rosemarie Trockel.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eInspired by Kvadrat’s role as a celebrated textile producer, Demand initially pursued the idea of the tent as an archetypal architectural structure with many iterations across contexts of leisure and shelter, simplicity and grandeur. Translating these concepts into his own artistic idiom of paper, he tasked Caruso St John with materialising this lightness of form, with a touch of his distinctive, duplicitous whimsy. The final building, completed in September 2022, achieves this through a harmonious sequence of steel and fibreglass structures which create their environments through the fall of light and shadow, textured opacity and welcoming transparency.\u003c\/p\u003e\n\u003cp\u003eThis publication presents extensive images of the completed buildings alongside in-depth illustrated conversations with Frank Gehry, Denise Scott Brown, Adam Caruso, Valerie Verhack, Anders Byriel, Emilie Appercé, and Thomas Demand.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesigned by Julie Peeters\u003c\/span\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43680629260514,"sku":"9781915743084","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TripleFolly_singlevol_angled.jpg?v=1714741268"},{"product_id":"say-yes-br-joseph-desler-costa-br-spbh-editions","title":"Say Yes","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eIn \u003cem\u003eSay Yes\u003c\/em\u003e, artist Joseph Desler Costa reimagines possibilities of the photobook form within a visually melodic and lyrical meditation on desire and visual seduction. Inspired by the persuasions of mass media and consumer culture, Costa folds commercialism inward while inviting viewers to consider how the aesthetics of visual advertising underlie contemporary life. Costa’s images form a part-critique and part-embrace of such promises, and the artist himself often mimics the slick visual rhetorics of commercial photographs in order not to sell products, but to engage with notions of selfhood, nostalgic fantasy, and the hunger pangs of desire that motivate the modern world. \u003cem\u003eSay Yes\u003c\/em\u003e defies the traditional photobook format and utilizes physical cut-outs to break holes through pages, subverting the authority of the solitary image and the influence it exerts over the viewer.\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Default Title","offer_id":44485370478818,"sku":"9781739606701","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/SPBH_Say.jpg?v=1722005154"},{"product_id":"on-whiteness-br-the-racial-imaginary-institute-br-spbh-editions","title":"On Whiteness","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eEbook available via this listing, on \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/geo.itunes.apple.com\/us\/book\/on-whiteness\/id6483933032\"\u003eApple Books\u003c\/a\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/geo.itunes.apple.com\/us\/book\/to-be-determined\/id6483930709\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/geo.itunes.apple.com\/us\/book\/to-be-determined\/id6483930709\" data-mce-style=\"color: #2b00ff;\"\u003e\u003c\/a\u003e\u003c\/span\u003e and \u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/m0JBg0?store=amazon\"\u003eKindle Store\u003c\/a\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/mqM1ZO?store=amazon\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/books2read.com\/u\/mqM1ZO?store=amazon\" data-mce-style=\"color: #2b00ff;\"\u003e\u003c\/a\u003e\u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/3J58lA?store=amazon\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/books2read.com\/u\/3J58lA?store=amazon\" data-mce-style=\"color: #2b00ff;\"\u003e\u003c\/a\u003e\u003c\/span\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCo-founded in 2017 by authors Claudia Rankine and Beth Loffreda, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Racial Imaginary Institute\u003c\/span\u003e (TRII) is an interdisciplinary collective of artists, writers, knowledge-producers, and activists. The institute’s historic 2018 symposium ‘On Whiteness’ convened a dazzling array of thinkers, artists, and activists. The essays that resulted from the event, collected here, seek to examine whiteness as a source of often unquestioned or even unobserved power, and make visible variations of this dangerous ideology that has been intentionally positioned as neutral.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTexts by Lauren Berlant, Sadhana Bery, Daniel Borzutsky, Jane Caflisch, Jeff Chang, Aruna D’Souza, Lori Gruen, Saidiya Hartman, Linda Martín Alcoff, Nell Irvin Painter, and Doreen St. Félix\u003cbr\u003e\u003cbr\u003eArtworks by Alexandra Bell, Mel Chin, Ken Gonzales-Day, Titus Kaphar, Charlotte Lagarde, Carla Liesching, Glenn Ligon, Nell Painter, and Hank Willis Thomas\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Paperback","offer_id":53580028543349,"sku":"9781916041288","price":13.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":53580028576117,"sku":"9781916041288E","price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/SPBH_essays_77-8811.jpg?v=1722000642"},{"product_id":"promise-land-br-gregory-eddi-jones-br-spbh-editions","title":"Promise Land","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eAmerican artist Gregory Eddi Jones’ \u003cem\u003ePromise Land\u003c\/em\u003e is a visual poetic epic that usurps photographic convention to confront what the artist considers the spiritual poverty of common cultural pictures. The book uses T.S. Eliot’s Modernist masterpiece, \u003cem\u003eThe Waste Land\u003c\/em\u003e (1922), as its point of departure, to create a sequence of images that picks up where the poem left off nearly 100 years ago.\u003cbr\u003e\u003cbr\u003eUsing common stock and advertising photographs as his source material, Jones employs strategies of digital composite and physical ink manipulation to craft a new kind of picture that is untethered from the traditional burdens of photography’s relationships to truth and belief. In doing so, he cuts into the hollow cores of empty visual promises and injects a potential for multitudes of associative games. Borrowing from Eliot’s strategies of literary allusion and fragmented, collage-like narrative, Jones pulls a range of inspirations, from folk pictures and fairy-tale illustrations to surrealism, mythology, common advertising tropes, and photo-historical traditions.\u003cbr\u003e\u003cbr\u003eThe resulting sequence forms a visual symphony, composed of nearly 200 images, in harmony with a fracturing, “post-truth” contemporary world. \u003cem\u003ePromise Land\u003c\/em\u003e revisits what many consider to be the greatest poem of the 20th century, while simultaneously reimagining what photography can be and do.\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Default Title","offer_id":44499603259618,"sku":"9781916041226","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/SPBH_promisedland.jpg?v=1722002766"},{"product_id":"art-applied-br-inside-outside-petra-blaisse","title":"Art Applied","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFor a limited time only, receive a FREE \u003ca href=\"https:\/\/mackbooks.eu\/products\/inside-outside-tote-bag\"\u003eInside Outside Tote Bag\u003c\/a\u003e (worth £10) when you order \u003cem\u003eArt Applied\u003c\/em\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/art-applied-br-inside-outside-petra-blaisse\"\u003e\u003c\/a\u003e. Simply add both items to cart to claim this offer, and the discount will be automatically applied upon check-out.*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003eThis retrospective of the oeuvre of Petra Blaisse and her acclaimed studio Inside Outside presents a kaleidoscopic view of their work across interior, exhibition, and landscape design over the course of more than three decades. Rather than working solely on static buildings, Inside Outside design environments across a huge variety of scales, from expansive urban landscapes to intimate domestic spaces defined by soft textile walls. The resulting spaces defy conventional classification. This comprehensive survey encompasses renowned projects including the recently completed Taipei Performing Arts Center; the Kunsthal Rotterdam; Biblioteca degli Alberi in Milan, a park spanning almost ten hectares; and LocHal Library in Tilburg, a vast factory repurposed using an architecture of semi-translucent curtains. It also presents revelatory unrealised projects and explores the studio’s many collaborations, including the rich body of work produced with OMA since the late 1980s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOpening with a collection of incisive thematic essays, this volume presents detailed accounts of projects from 1985 to the present day, accompanied by personal accounts by Petra Blaisse, partners Jana Crepon and Aura Luz Melis, and members of their team. The studio’s diverse methods and distinctive forms of expression are reflected in the book itself, whose language spans cartoonish production manuals, technical drawings, collage, photography, and scientific plant studies, over almost 900 pages.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt Applied\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esuggests countless means of intervention and inhabitation, encouraging us to strive restlessly for new ways of seeing our built environment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdited and introduced by Fredi Fischli and Niels Olsen, with newly commissioned texts by Penelope Curtis, Christophe Girot, Rem Koolhaas, Charlotte Matter, Fatma Al Sehlawi, Jack Self, Laurent Stalder, Helen Thomas, and Philip Ursprung\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by Teo Schifferli\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":44617707913442,"sku":"9781915743343","price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/ArtApplied_angled_8386e7fa-d96a-4dcf-a4bc-2776bb25cf56.jpg?v=1714742315"},{"product_id":"paul-pfeiffer-prologue-to-the-story-of-the-birth-of-freedom-br-clara-kim-ed","title":"Paul Pfeiffer: Prologue to the Story of the Birth of Freedom","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eThis richly illustrated catalogue accompanies the first US retrospective of Paul Pfeiffer’s acclaimed multi-disciplinary practice at The Geffen Contemporary at MOCA. Presenting era-defining photo and video works alongside his latest experiments in sculpture and installation, this volume reflects Pfeiffer’s use of a wealth of recent technologies to dissect the role that mass media plays in shaping consciousness. Throughout his work, Pfeiffer interrogates how images might shape the spectators who consume them. In his own words: ‘The question always comes up: who’s using who? Is the image making us, or do we make images?’ His works mediate on faith, desire, and the ways both are enmeshed in a contemporary culture transfixed by celebrity. This authoritative volume spans twenty-five years of practice and includes essays by Clara Kim, Paula Kroll, and Tom Gunning as well as conversations with the artist and Chanon Kenji Praepopatmongkol and with the artist, Julie Mehretu, and Lawrence Chua.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDesigned by Counterspace, Michael Worthington\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":44617906323682,"sku":"9781915743336","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Paulpfeiffer_angled.jpg?v=1722246134"},{"product_id":"cosmos-br-collier-schorr","title":"COSMOS","description":"\u003cp\u003eIn 2020 Collier Schorr began drawing from photographs she had made of the artist Nicole Eisenman, a solitary practice that had its roots in her fascination with the doppelganger and the possibility of seeing one’s face in another. This volume, sequenced in Schorr’s unmistakable narrative style, brings together a wide array of drawn portraits, selfies, and self-portraits, both staged and candid, in recognisable spaces and emerging from the blank page. Other artists and Eisenman's teenage daughter make appearances, setting up a sparsely occupied world. In one image, the cover of a Susan Sontag biography floats like a spectre, uneasy in its proximity to the queer figures asserting themselves between the pages.  \u003c\/p\u003e\n\u003cp\u003eSchorr sees these drawings as works that think about photography and escape it simultaneously. A photograph will always share authorship between photographer and subject, while a drawing registers a different form of physical attention and collaboration. It engages bodies and space, and creates ambiguity where photography is conclusive – through a loss of concrete setting, or an absence of age. The porous worlds of queer culture operate much more closely than those of photography and painting. \u003cem\u003eCOSMOS\u003c\/em\u003e explores the way these two figures inhabit many orbits, existing as mortals as well as images in their work and their communities. \u003c\/p\u003e\n\u003cp\u003eWith an essay by Jennifer Higgie.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":44617981198562,"sku":"9781915743381","price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":44617981231330,"sku":"9781915743381S","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/COSMOS_b1839b9d-ffeb-4fcb-8c86-5d02e0c586d7.jpg?v=1727085637"},{"product_id":"composition-br-shirley-irons","title":"Composition","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e‘I’m interested in how we read images, how little is enough to be legible, how reflections can act as light and memory. By using paint, I can give those side-glances a moment of slow attention. By using photography, I can capture them.’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis two-volume publication from Shirley Irons brings together an overview of the artist’s paintings to date, alongside multifaceted reflections on art, artmaking, and landscape through a selection of her short essays and stories. Irons’s subtle oil paintings of landscape fragments and urban interiors are based on photographs taken as she moves through the world, blending realistic details with abstract applications of paint to explore how much information is necessary to render an image legible.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first volume presents a collection of the artist’s paintings made between 1988 and 2019, many of which depict transitory spaces – such as highways, airports, and hallways – appearing vacant and aloof. These fleeting landscape scenes, often capturing the perspective of someone on the move, give meditative attention to side-glances and everyday objects. The second volume marks a turning point in Irons’s process prompted by the pandemic lockdown, presenting still life scenes painted from observation. Alongside this quiet collection of paintings are the artist’s own writings considering the nature of looking and the genre of still life with both insight and humour.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":44617988341986,"sku":"9781915743428","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Compositions.jpg?v=1718384016"},{"product_id":"the-last-safe-abortion-br-carmen-winant-br-spbh-editions","title":"The Last Safe Abortion","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eWinner of THE AUTHOR BOOK AWARD at the Rencontres d'Arles Book Awards, 2024\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFocusing on the near-fifty-year period in which abortion was legal in the United States (1973–2022), \u003cem\u003eThe Last Safe Abortion\u003c\/em\u003e recognises the care, advocacy, and community-building of abortion workers. Artist Carmen Winant draws from over a dozen personal, organisational, and institutional archives from across the Midwest, in Minnesota, Iowa, Nebraska, Illinois, Kentucky, North Dakota, and Ohio. The photographs themselves are surprisingly regular: women answer the phone, sterilize medical equipment, throw staff birthday parties, offer workshops, and schedule appointments. In centring the tender, quotidian, and routine acts that inform this healthcare work, Winant works to counter the ways anti-choice activists have weaponised photography by proposing a visuality that attends to abortion care. \u003cem\u003eThe Last Safe Abortion\u003c\/em\u003e presents a selection of this vast collection of photographs, accompanied by a text by Winant.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis publication coincides with the complementary new edition of \u003cem\u003eMy Birth\u003c\/em\u003e. \u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e\u003cstrong\u003ePurchase \u003cem\u003eMy Birth\u003c\/em\u003e \u003ca href=\"https:\/\/mackbooks.co.uk\/products\/my-birth-br-carmen-winant-br-spbh-editions\" style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Default Title","offer_id":44618008199394,"sku":"9781739606756","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TheLastSafeAbortion_angled_678ecf2b-2713-4d38-8226-54b43c4a274f.jpg?v=1719248997"},{"product_id":"my-birth-br-carmen-winant-br-spbh-editions","title":"My Birth","description":"\u003cp data-mce-fragment=\"1\"\u003eA book of text and image, \u003cem\u003eMy Birth\u003c\/em\u003e interweaves photographs of the artist Carmen Winant’s mother giving birth to her three children with found images of other, anonymous women undergoing the same bodily experience. As the pictorial narrative progresses, from labour through delivery, the women’s postures increasingly blend into one another, creating a collective body that strains and releases in unison.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to the photographic sequence, \u003cem\u003eMy Birth\u003c\/em\u003e includes an original text by the artist exploring the shared, yet solitary, ownership of the experience of birth. A facsimile of Winant’s own journal, this book asks: What if birth, long shrouded and parodied by popular culture, was made visible? What if a comfortable and dynamic language existed to describe it? What if, in picturing the process so many times over and insisting on its very subjectivity, we understood childbirth, and its representation, to be a political act?\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe first edition of this publication coincided with Winant’s on-site installation at the Museum of Modern Art’s ‘Being: New Photography 2018’, with both projects conceived of together directly following the birth of the artist’s first child and while she was pregnant with her second.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis new edition coincides with the release of the complementary book \u003cem\u003eThe Last Safe Abortion. \u003c\/em\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePurchase \u003cem\u003eThe Last Safe Abortion\u003c\/em\u003e \u003ca href=\"https:\/\/mackbooks.co.uk\/products\/the-last-safe-abortion-br-carmen-winant-br-spbh-editions\" style=\"color: #000000;\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"SPBH Editions","offers":[{"title":"Default Title","offer_id":44620524126434,"sku":"9781999814441","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/MyBirth_angled_d40f5af2-f94b-45e6-a2e1-23561eb9ce82.jpg?v=1714743032"},{"product_id":"donald-judd-spaces-judd-foundation","title":"Donald Judd Spaces","description":"\u003cp\u003eThis expansive volume presents an unprecedented visual survey of Donald Judd's permanently installed living and working spaces in New York and Texas. Edited by Rainer Judd and Flavin Judd, it includes newly commissioned and archival photographs presented alongside five essays and drawings for architecture and design by the artist. From 101 Spring Street, a nineteenth-century cast-iron building in Manhattan, to Ayala de Chinati, an extensive ranch in the mountains of western Texas, this book details the interiors, exteriors, and land surrounding the buildings that comprise Judd’s extant living and working spaces stewarded by Judd Foundation. Each space was thoroughly considered by Judd with resolute attention to function and design. From furniture to utilitarian structures that Judd designed himself, these spaces underscore his deep interest in the preservation of buildings and his deliberate interventions within existing architecture.\u003c\/p\u003e\n\u003cp\u003eThis expanded and revised second edition includes newly restored spaces,  photographed and published for the first time, as well as elevations, an interview with Judd, and a new foreword.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCo-published with Judd Foundation\u003c\/p\u003e\n\u003cp\u003eSee more books by Judd Foundation \u003ca href=\"https:\/\/mackbooks.eu\/collections\/judd-foundation\" title=\"Judd Foundation\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"color: #000000;\"\u003ehere.\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Judd Foundation","offers":[{"title":"Default Title","offer_id":54911311642997,"sku":"9798218700966","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/DJ_Spaces.jpg?v=1722361400"},{"product_id":"donald-judd-furniture-judd-foundation","title":"Donald Judd Furniture","description":"\u003cp\u003e\u003cem\u003e‘The art of a chair is not its resemblance to art, but is partly its reasonableness, usefulness, and scale as a chair.’ \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eDonald Judd Furniture\u003c\/em\u003e includes more than one hundred pieces of his furniture, spanning 1970 to 1991, designed for his living and working spaces at 101 Spring Street and in Presidio County, Texas. \u003c\/span\u003e\u003cspan\u003eThe publication introduces readers to Donald Judd’s furniture designs, initiated during the renovation of his home and studio at 101 Spring Street in New York, and as the result of the difficulty Judd later had in furnishing his home in Marfa, Texas. These furniture designs exemplify the directness of form and presence for which his artworks are celebrated, as well as offering a distinct and unadorned functionality. In this book they are presented through detailed drawings and breakdowns of materials, and color photography exploring their placement and function within these spaces. As well as surveying a central aspect of his work, \u003cem\u003eDonald Judd Furniture\u003c\/em\u003e details Judd’s understanding of functionality, form, and his deep interest in the possibilities of design in a world of mass-production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCo-published with Judd Foundation.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAlso available is \u003cem\u003eDonald Judd Spaces.\u003c\/em\u003e \u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003eOrder \u003ca href=\"https:\/\/mackbooks.co.uk\/products\/donald-judd-spaces-judd-foundation\" data-mce-href=\"https:\/\/mackbooks.co.uk\/products\/donald-judd-spaces-judd-foundation\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":45754243875042,"sku":"9781915743213","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/DJ_Furniture_angled.jpg?v=1722358605"},{"product_id":"things-felt-but-not-quite-expressed-sohrab-hura","title":"Things Felt But Not Quite Expressed","description":"\u003cp\u003e\u003cem\u003eThings Felt But Not Quite Expressed\u003c\/em\u003e collects Sohrab Hura’s kinetic illustrations made between 2022 and 2024 of everyday scenes of love, joy, family, and relationships. Renowned for his self-published photographic books, here Hura departs from the fixedness of the photographic form, using technicolour soft pastel to imbue his portraits, still lifes, and quotidian scenes with fluidity and to charge them with feeling. We see tender portraits of ailing family members, vivid sunsets and free-flowing bodies of water, mischievous pets and siblings, spectral figures meeting in unrefined landscapes, and surreal cremation rites. Portraits of isolation and illness are interleaved with recreated memes and convivial tableaux. The sardonic titles of the works collude with the viewer to poke fun at the drawings’ subjects but also at the artist himself, creating an intimate viewing experience. \u003c\/p\u003e\n\u003cp\u003eThese works originated in a period in which the artist felt unable to connect with the permanency of photographs. Pivoting to drawing enabled him to capture the whimsy and ephemerality of everyday life within an increasingly polarised world. This playful tone is extended by the book’s mix of impressionist and surrealist style, making for an unpredictable volume which experiments with how to evoke and immortalise feeling through art. \u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":45596670787810,"sku":"9781915743756","price":40.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":45596670820578,"sku":"9781915743756S","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/ThingsFelt_new.jpg?v=1726581240"},{"product_id":"the-color-black-antinomies-of-a-color-in-architecture-and-art-mohsen-mostafavi-max-raphael","title":"The Color Black: Antinomies of a Color in Architecture and Art","description":"\u003cp\u003eThis publication traces a theoretical and visual narrative of the relationship of art and architecture with the colour black through two engaging essays by acclaimed architect and critic Mohsen Mostafavi and the Marxist German art historian Max Raphael (1889–1952). Bringing together a rich inventory of images, Mostafavi considers architecture’s connection with the colour by considering parallel developments in global art practices – with references ranging from Japanese screens to Rothko, Georgia O’Keefe to Kara Walker, Peter Celsing to Derek Jarman. Alongside these renowned touchpoints, he draws on Raphael’s little-known and highly distinctive text \u003cem\u003eThe Color Black: On the Material Constitution of Form\u003c\/em\u003e, based on a selection of old master paintings in the Metropolitan Museum of Art, New York. Contemporaneous with the evolution of black paintings by New York’s Abstract Expressionists, Raphael’s essay offers a strikingly different approach to the same multivalent subject. Raphael offers an invigorating model of criticism, which, in John Berger’s words, ‘leads us from the work to the process of creation which it contains’.\u003c\/p\u003e\n\u003cp\u003eThis book presents Mostafavi’s and Raphael’s complementary and luminous essays side by side, the latter published in English for the first time in a compelling translation by Pamela Johnston. They are completed by conversations with Swiss architect Peter Märkli, whose use of black is informed by Raphael’s writings, and the artist Theaster Gates, whose work explores the aesthetic and political possibilities of the colour. Juxtaposing the present with the recent and distant past, this book provides a many-layered reading of the colour black – and of colour more widely – in relation to contemporary architectural thinking and practice.\u003c\/p\u003e\n\u003c!----\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":45606893551842,"sku":"9781915743633","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TheColorBlack.jpg?v=1727957487"},{"product_id":"base-matter-and-uncommon-solvent-drawings-prints-collages-and-objects-1988-2024-tacita-dean","title":"Base Matter and Uncommon Solvent: Drawings, Prints, Collages, and Objects 1988–2024","description":"\u003cp\u003e\u003cem\u003eBase Matter and Uncommon Solvent \u003c\/em\u003eis an overdue comprehensive survey of drawings, prints, collages, and objects that are directly drawn, marked, or altered by Tacita Dean. The chosen works differentiate from those made using mechanical reproduction, such as photographs, purely image-based etching and screenprints, and her 16mm and 35mm films.\u003c\/p\u003e\n\u003cp\u003eThe careful collation of works in the book, including many early or previously unseen images, show the importance of the graphic touch in Dean’s work. The volume includes an essay by the artist highlighting her use of various substrates and materials where she questions why she has historically found it so difficult to make drawings on simple pieces of paper. The title is derived from the language of alchemy and was first referenced by Dean in her early photogravure \u003cem\u003eT \u0026amp; I\u003c\/em\u003e, 2006. ‘Base matter’ represents here the various surfaces she works upon and ‘uncommon solvent’ the mediums she has used to make a mark. \u003c\/p\u003e\n\u003cp\u003eThis luxurious volume is co-edited and designed with her long-term friend and collaborator Martyn Ridgewell and is timed to coincide with ‘Tacita Dean: Blind Folly’, the first major exhibition in the United States to focus on her drawings at The Menil Collection, Houston, 11 October 2024–19 April 2025.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecial edition available \u003ca href=\"https:\/\/mackbooks.co.uk\/collections\/special-editions\/products\/base-matter-and-uncommon-solvent-drawings-prints-collages-and-objects-1988-2024-special-edition\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":45658680819938,"sku":"9781915743527","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":53625005441397,"sku":"9781915743527S","price":155.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/BaseMatter.jpg?v=1733329720"},{"product_id":"blind-folly-or-how-tacita-dean-draws","title":"Blind Folly or How Tacita Dean Draws","description":"\u003cp\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong\u003eEbook available via this listing, on \u003ca href=\"https:\/\/books2read.com\/u\/3yAQDB?store=apple\" style=\"color: rgb(43, 0, 255);\"\u003eApple Books\u003c\/a\u003e and \u003ca href=\"https:\/\/books2read.com\/u\/3yAQDB?store=amazon\" style=\"color: rgb(43, 0, 255);\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn this book, curator Michelle White considers the unique and timely implications of how the artist Tacita Dean draws. Covering over three decades of work, from sweeping chalk landscapes to fleeting celestial phenomena on film, White proposes that the artist approaches drawing as an indeterminate journey of fate and folly, chance and medium. She argues that Dean’s strategy of adopting blindness to make an image is an urgent response to our culturally, technologically, and ecologically unstable moment. The text, illustrated with more than forty images, is based on seven years of conversations between the author and the artist.\u003c\/p\u003e\n\u003cp\u003eCo-published with the Menil Foundation on the occasion of the exhibition ‘Tacita Dean: Blind Folly’, 11 October–19 April 2025.\u003c\/p\u003e\n\u003c!----\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":56736797950325,"sku":"9781915743787","price":18.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":56736797983093,"sku":"9781915743788E","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/BlindFolly_87faac74-cade-46cc-8c2f-3ff3a02ff12f.jpg?v=1731499161"},{"product_id":"base-matter-and-uncommon-solvent-drawings-prints-collages-and-objects-1988-2024-special-edition","title":"Base Matter and Uncommon Solvent: Drawings, Prints, Collages, and Objects 1988–2024 Special Edition","description":"\u003cp\u003eTo accompany the publication of our landmark book on Tacita Dean’s drawing practice, we are delighted to offer a special edition.  \u003c\/p\u003e\n\u003cp\u003eComprising a signed and numbered copy of the first edition of \u003cem\u003eBase Matter and Uncommon Solvent\u003c\/em\u003e, the book is combined in a slipcase with a monoprint specially hand produced by Tacita Dean with Gemini G.E.L. in Los Angeles. The new work is titled \u003cem\u003eFountain of Eternal Youth\u003c\/em\u003e, 2024 and consists in a limited edition of 100 signed and numbered unique monoprints, each housed in a folding linen bound presentation sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/prints.gif?v=1733941367\"\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":54836720304501,"sku":"9781915743527SE","price":500.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/BaseMatter_SE.jpg?v=1740152242"},{"product_id":"celia-paul-works-1975-2025","title":"Celia Paul: Works 1975–2025","description":"\u003cp\u003e\u003cem\u003eCelia Paul\u003c\/em\u003e is an expansive and long-overdue monograph that charts a path through the career of one of the most prolific British painters of the past half century, and includes new writings on Paul’s work by Karl Ove Knausgaard, Hilton Als, Clare Carlisle, Edmund de Waal, and Rowan Williams, as well as an essay by Paul herself.\u003c\/p\u003e\n\u003cp\u003eBeginning with the earliest works made by Paul at the age of fifteen, this extensive volume weaves a chronological sequence across fifty years of work. Within the rhythms of the book appear themes and figures that Paul has returned to again and again: her mother, her sisters, the sea, and, crucially, the artist herself. This collection of over three hundred works expresses the tireless inquisitiveness with which Paul approaches her subjects, and the ways painting offers an understanding of the world around her.\u003c\/p\u003e\n\u003cp\u003eUntil now, Paul’s work has been largely overshadowed by the canon of male artists who have dominated the landscape of British painting, such as Francis Bacon, Frank Auerbach, and Lucian Freud, with whom Celia had a long relationship. The works collected in this volume not only demonstrate Paul’s deserved place in the art historical canon, but the deep-felt spirituality and vision that imbue her approach to form, light, and the movement of paint on canvas.  \u003c\/p\u003e\n\u003cp\u003eAccompanies a major exhibition Celia Paul: Colony of Ghosts at Victoria Miro, London from 14 March–17 April 2025.\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":54856688370037,"sku":"9781915743657","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":54856688402805,"sku":"9781915743657S","price":155.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/CeliaPaul_cover3.jpg?v=1738857256"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/collections\/Biscuits_860x_b5d81295-16f3-4a8f-b38b-33b10f09ce9d.webp?v=1682431077","url":"https:\/\/mackbooks.co.uk\/collections\/art.oembed?page=3","provider":"MACK","version":"1.0","type":"link"}