{"title":"Gifts under £100","description":"","products":[{"product_id":"the-complete-papers-br-thomas-demand","title":"The Complete Papers","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan style=\"color: #ff0000;\"\u003eWinner of the Best Book on Contemporary Art, \u003c\/span\u003e\u003cspan style=\"color: #ff0000;\"\u003eRichard Schlagman Art Book Awards 2019\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Complete Papers\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an extensive volume encompassing all of Thomas Demand’s work over the past 28 years, together with the primary texts written about his practice. The book includes previously unseen early works from 1990, together with reference reproductions on every one of his pieces. A newly commissioned interview with Russell Ferguson, new texts by Jeff Wall and Alexander Kluge, contributions by Parveen Adams, Francesco Bonami, Teju Cole, Beatriz Colomina, Jeffrey Eugenides, Julia Franck, Hal Foster, Rachel Kushner, Ben Lerner, Jacques Rancière, Gary Shteyngart, Neville Wakefield, to name a few, is concluded by a complete exhibition listing and bibliography.\u003c\/p\u003e\n\u003cp\u003eThis hardback volume, housed in a printed and embossed slipcase, which also includes a Demand work printed on the interior lining, is the primary authority on the work of one of the most important artists of the 21st century.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Christy Lange\u003cbr\u003eDesign by Naomi Misuzaki\u003cbr\u003eTexts by Jeffrey Eugenides, Neville Wakefield, Julia Franck, Russell Ferguson, Adrian Searle and Francesco Bonami, inter alia\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":13721411846208,"sku":"9781910164907","price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TheCompletePapers_Cover1.jpg?v=1733414601"},{"product_id":"and-time-folds-br-vanessa-winship","title":"And Time Folds","description":"\u003cp\u003e\u003cem\u003eAnd Time Folds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eaccompanies a retrospective exhibition of the British photographer Vanessa Winship at the Barbican Art Gallery, London. At once intimate and epic, Winship’s black-and-white photographs explore notions of borders, land, memory, desire and history. This volume comprises photographs from seven series, including projects made during a decade living in the region of the Balkans, Turkey and the Caucasus; as well as work made in Georgia, America and the U.K. Winship has long been concerned with the elusive nature of transience in our landscape and society, and her oeuvre moves sure-footedly between genres – reportage, documentary, portraiture and landscape. Alongside her luminous photographs, And Time Folds brings together personal archival material that reveals Winship's thought process, working methods, and the importance of the written word, as well as an extensive essay by the renowned photography historian David Chandler, proffering a multi-faceted view of her work and artistic trajectory.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eVanessa Winship (b. 1960 in Lincolnshire, United Kingdom) is a photographer, whos projects have received numerous awards including the World Press Photo, Leica Oskar Barnack Award, Sony World Photography Awards, Taylor Wessing Photographic Portrait Prize, and the Fondation Henri Cartier-Bresson prize. And Time Folds is her fourth book following\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/collections\/frontpage\/products\/she-dances-on-jackson-br-vanessa-winship\"\u003e\u003cem\u003eshe dances on Jackson\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(MACK, 2013),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSchwarzes Meer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2007) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSweet Nothings\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2008).\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":14407909048384,"sku":"9781912339099","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover17.jpg?v=1573740573"},{"product_id":"ravens-br-masahisa-fukase","title":"Ravens","description":"\u003cp\u003e\"Ravens\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– \u003c\/span\u003eTomo Kosuga from his essay\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCries of Solitude\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2017]\u003c\/p\u003e\n\u003cp\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRavens\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. His major books include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYugi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[Homo Ludence] (Chuokoron-sha, 1971);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYohko\u003c\/em\u003e(Asahi Sonorama, 1978), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKarasu [Ravens]\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Sokyu-sha, 1986). Countless solo exhibitions have been dedicated to Fukase’s work, and his photographs have been included in group exhibitions at the MoMA, NY; Oxford Museum of Art; Fondation Cartier pour l’Art Contemporain, Paris; V\u0026amp;A, London. Fukase also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":45505066139874,"sku":"9781910164839","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Ravens_Cover1_a30cfbd8-0df7-453e-99ab-3035eb0740e3.jpg?v=1733409073"},{"product_id":"buon-fresco-br-tacita-dean","title":"Buon Fresco","description":"\u003cp\u003eSt Francis of Assisi was the saint who humanised sainthood. He was a man with an ordinary body and ordinary desires. As Tacita Dean writes, 'He rolled naked in the snow to quell his urges and trod the land on paths and roads that are still wending their way through the hills and forests of Umbria today…. His concerns are contemporary: his love of the earth is ecology, his care for its creatures, animal welfare, and his understanding of his fellow humanity is modern-day social science. He is the saint whom mankind can realistically aspire to emulate, because his humanness, his humanity lies just within our mortal reach.'\u003c\/p\u003e\n\u003cp\u003eIn her work,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBuon Fresco\u003c\/em\u003e, 2014, Dean filmed details of Giotto's frescos in the Upper Basilica in Assisi using a macro lens, in order, she said, to have the perspective of the artist himself. Giotto humanised the depiction of people in painting in a parallel way to St Francis's humanising of sainthood, and this moment, when the radical artist depicted the radical saint is an extremely important juncture in the history of art. Frescoes are meant to be seen from a distance, so this book provides a revelatory view of the minutiae and sophistication of Giotto's brushstrokes, which at times anticipates the future canon of mark marking in Western painting.\u003ca href=\"http:\/\/www.mackbooks.co.uk\/press\/2%20Weltkunst_News_TacitaDean_BuonFresco_August2016.pdf\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":14423733076032,"sku":"9781910164280","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/BuonFresco_Cover1.jpg?v=1733406727"},{"product_id":"lago-br-ron-jude","title":"Lago","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003e“…I know it happened, and I have enough information about it to reconstruct the whole scene to my own satisfaction, but the person to whom it happened is somewhere so far off that I only know it’s me because I can see his face, and because I’m the one remembering.”\u003c\/em\u003eJohn Darnielle,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWolf in White Van\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLago\u003c\/em\u003e, Ron Jude returns to the California desert of his early childhood as if a detective in search of clues to his own identity. In a book of 54 photographs made between 2011 and 2014, he attempts to reconcile the vagaries of memory (and the uncertainty of looking) with our need to make narrative sense of things. Using a desolate desert lake as a theatrical backdrop, Jude meanders through the arid landscape of his youth, making note of everything from venomous spiders to discarded pornography. If one considers these traces to be a coded language of some sort, Jude’s act of photographing and piecing them together becomes a form of cryptography – like a poetic archeology that, rather than attempting to arrive at something conclusive, looks for patterns and rhythms that create congruity out of the stuttering utterances of the visible world. According to Jude, “these harmonies, when we’re lucky enough to find them, are probably the closest we can get to discovering actual ‘meaning’ and grasping the potency of place.”\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":14518801432640,"sku":"9781910164341","price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover74.jpg?v=1573740675"},{"product_id":"this-is-where-i-live-br-wendy-ewald","title":"This is Where I Live","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAvailable for download as a free ebook via this listing and\u003cstrong\u003e \u003ca href=\"https:\/\/geo.itunes.apple.com\/us\/book\/this-is-where-i-live\/id6504567363\" style=\"color: rgb(43, 0, 255);\"\u003eApple Books.\u003c\/a\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor forty years, Wendy Ewald has travelled the world working with local communities, especially children. In addition to making her own photographs, she developed a method of handing out simple cameras and encouraging people – ordinarily the ‘subjects’ of a professional photographer – to author their own images of themselves and their communities. Because the photographers are trusted observers, innocent of the techniques (and wiles) of professionals, the results have the uncanny feel of unadorned truth.\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eThis Is Where I Live\u003c\/em\u003e, Ewald redefines the scope of books about Israel and the West Bank. Ewald portrays an entire region through its discreet parts. Her subjects are contested sites where many communities coexist: Jewish, Christian, Gypsy and Druze. Ewald worked with fourteen different communities – in neighbourhoods, villages and schools – using a version of the prismatic approach she’s refined over many years. She encouraged a wide range of people – school children, elderly women and hi-tech workers – to take pictures and document their lives from their own perspective.\u003c\/p\u003e\n\u003cp\u003eCameras were offered to children uprooted by settlements in Hebron, the West Bank; to young girls at Tzahali military academy; to stall owners at The Shuk, Jerusalem’s lively marketplace; and to Bedouin students at a school in the Negev Desert. The collected images, accompanied by interviews and statements by the photographers, evoke the vitality of the region's cultural landscape, including small minorities such as the Gypsies (who are often swept under the umbrella of Arab identity) – not to mention the myriad identities within majority groups, illuminating the manifold meaning of ‘Jewish identity’.\u003c\/p\u003e\n\u003cp\u003eAmerican photographer Wendy Ewald began her work in 1969, when she taught photography to Innu and Mi'kmaq Native-American children in Canada. She went on to work in Kentucky and she published her first book, \u003cem\u003ePortraits and Dreams\u003c\/em\u003e in 1985. Her work was shown in the 1997 Whitney Biennial and in the 2013 Melbourne Festival. In 2001 she published a book about her teaching, \u003cem\u003eI Wanna Take Me a Picture: Teaching Photography and Writing to Children\u003c\/em\u003e as well as two children’s books, including \u003cem\u003eThe Best Part of Me\u003c\/em\u003e. A retrospective of Ewald's work, \u003cem\u003eSecret Games\u003c\/em\u003e, was published by Scalo and was shown at museums across the US and Europe from 2000-2006; it was also exhibited at the Queen’s Museum in New York, the Corcoran Gallery, and the Nederlands Foto Institute in Rotterdam. In 2007 ArtAngel commissioned Ewald to create an installation in Margate, England, which was accompanied by the book, \u003cem\u003eTowards a Promised Land. \u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Hardback","offer_id":45603414048994,"sku":"9781910164099","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":45603414081762,"sku":"9781910164099E","price":0.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover129.jpg?v=1573740844"},{"product_id":"i-went-to-the-worst-of-bars-hoping-to-get-killed-but-all-i-could-do-was-get-drunk-again-br-ciaran-og-arnold","title":"I went to the worst of bars hoping to get killed, but all I could do was get drunk again","description":"\u003cdiv class=\"pagetextcolumn\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003ePlease note: Rare edition - any orders containing this title will be shipped from the UK, and may be subject to additional charges upon delivery.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWinner of the 2015 MACK First Book Award\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI went to the worst of bars hoping to get killed, but all I could do was to get drunk again\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a diary of sorts, following invisible men, down piss alleyways and into empty bars. The photographer accompanies the seekers of oblivion, their lopsided faces caught between ecstasy and apathy, their mouths chasing the numbness of inebriation. \u003c\/p\u003e\n\u003cp\u003eThis is Ballinasloe, a sandstone town on the River Suck in the easternmost corner of Galway in Ireland, seen through the eyes of a native, Ciarán Óg Arnold. Within the rabble, Arnold trails after the cast-offs, invisible men who spend their time in murky corners, choosing to do nothing but drift and drink. Ballinasloe is a mouth; in Irish, mouth of the ford, mouth of the crowds.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“We claim to hate it here”,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewrites Arnold,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“but the truth is that we choose to stay, hiding from reality, drowning in drink and wanting to be left alone as we await whatever fate is in store.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOver the years, Ballinasloe has become a ghost town, its immobile economy holding back only the indifferent. Its empty clubs are the ordinary voids of an orthodox escapism, the unvarying nightly vocation that is also creeping annihilation. The town is haunted by the absence of those unseeable others, who have also departed – the suicide kids of Charles Bukowski’s poem, from which the book’s title is taken.\u003c\/p\u003e\n\u003cp\u003eCiáran Óg Arnold (b. 1977) is an Irish photographer who studied at the University of Ulster (MFA Photography, 2012). His work was included in ‘An Irish View’ at Rencontres d’Arles in 2009, and featured in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSource\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003emagazine. As winner of the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.firstbookaward.com\/2015\/\"\u003e2015 First Book Award\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e, his book was published by MACK, and the work exhibited at Media Space, London. This is Arnold's first book.\u003c\/p\u003e\n\u003cp\u003eExhibition: 20 April – 28 June 2015: First Book Award 2015 exhibit at Media Space, London\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14524165619776,"sku":"9781910164310","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover80.jpg?v=1585653779"},{"product_id":"typology-1979-br-joachim-brohm","title":"Typology 1979","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eNo two of the little houses are the same… carefully proportioned furnishings here are wildly contradicted with slapdash decorations over there. Everyone has thought about their buildings, brought materials, laid walls, used power drills, insulated, glued things, extended the previous tenant’s shed, retro-fitted a bigger window, added a television antenna. They are strange hybrid buildings, between tool sheds and dachas, gingerbread houses and orangeries. - \u003c\/em\u003eUlf Erdmann Ziegler\u003c\/p\u003e\n\u003cp\u003eJoachim Brohm rose to prominence in the early 1980s, one of the first photographers in Europe to take pictures exclusively in colour, connecting the everyday cultural landscape with the new possibilities of colour photography. This collection titled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTypology 1979\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis one of his very earliest series, depicting 35 allotment sheds from the Ruhr valley region of Germany, painterly images that are an everyday inventory – of garden structures, of human activity. Influenced by the great American photographers such as William Eggleston and Robert Adams, he also looked to his German contemporaries, Bernd and Hilla Becher, whose ‘typologies’ are heralded in the collection’s title.\u003c\/p\u003e\n\u003cp\u003eJoachim Brohm was born 1955 in Dülken, Germany. He lives and works in Leipzig and since 1993 he has been Professor of Photography at Leipzig Hochschule fur Grafik und Buchkunst\/Academy of Visual Arts.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDie Häuschen sind keines wie das andere.... Hier eine schmucklose Baracke, dort ein Holzbungalow geschmückt wie ein Ausflugsdampfer. Akkurat auf Maß gebrachtes Dekor wird andernorts widerlegt durch wüst applizierte Dekoration. Ein jeder hat sich Gedanken gemacht, Material herangefahren, gemauert, gesägt, geschraubt, abgedichtet und geklebt, die Hütte eines Vorgängers vergrößert, im Nachhinein ein großes Fenster eingefügt, eine Fernsehantenne dran montiert. Es sind hochmerkwürdige Hybride von Gebäuden, etwas zwischen Geräteschuppen und Datscha, Hexenhaus und Orangerie.\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003eUlf Erdmann Ziegler\u003c\/p\u003e\n\u003cp\u003eJoachim Brohm wurde Anfang der 1980er Jahre bekannt als einer der ersten Fotografen in Europa, der sich ganz auf Farbe fokussierte. Seine Bilder zeigen Alltagsmotive unserer Kulturräume im Licht der neuen Möglichkeiten der Farbfotografie. Die 'Typologie 1979' betitelte Serie, eine seiner frühesten Arbeiten, zeigt 35 Kleingarten-Architekturen im Ruhrgebiet. Es sind malerische Motive, die eine Bestandsaufnahme des Alltags darstellen – von Gartenarchitektur und menschlicher Aktivität. Beeinflusst durch große amerikanische Fotografen wie William Eggleston und Robert Adams, war Brohm auch mit der Arbeit seiner deutschen Kollegen Bernd und Hilla Becher vertraut, deren „Typologien“ der Titel seiner Arbeit Reverenz erweist.\u003c\/p\u003e\n\u003cp\u003eJoachim Brohm wurde 1955 im niederrheinischen Dülken geboren. Er lebt und arbeitet in Leipzig; seit 1993 ist er dort Professor für Fotografie an der Hochschule für Grafik und Buchkunst.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15186564874304,"sku":"9781907946646","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover91.jpg?v=1573740857"},{"product_id":"them-br-rosalind-fox-solomon","title":"THEM","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eRosalind Fox Solomon spent five months in Israel and the West Bank during 2010–11, working in Jerusalem, Tel Aviv, Nahariya, Bethlehem and Jenin. Travelling by local bus along with commuter workers, she photographed Jewish teenagers at Purim, Christians at the Church of the Holy Sepulchre, and Ghanaian pilgrims at the Mount of Olives. The photographs contain numerous interwoven narratives, some with particular political charge, such as the casket of Juliano Mer-Khamis, a Palestinian activist of dual descent who established the Freedom Theatre, assassinated during Solomon's visit to the territory.\u003c\/p\u003e\n\u003cp\u003eHer photographs are informed by an acute sensitivity to lives conditioned by race and religion, ethnicity and location. Through a cacophonous image sequence, Solomon articulates the turmoil of her experience of the region, recounting 'I felt the tension. The stress.... I wanted to express the chaos and pressure that was around me'. Punctuating the images are fragments of text – amusing and frightening background conversations, recorded in Solomon's journal; the texts reveal the humanity of each person photographed, a window onto lives conditioned by violence and uncertainty.\u003c\/p\u003e\n\u003cp\u003eSolomon, an American artist based in New York City, is celebrated for her portraits and for her connection to human suffering, ritual, survival and struggle. Her work has been shown in nearly 30 solo exhibitions and 100 group exhibitions, and is in the collections of over 50 museums worldwide.\u003c\/p\u003e\n\u003cp\u003eThis is a short film\u003cspan\u003e \u003c\/span\u003eon YouTube from the extraordinary performance in New York by Rosalind Solomon relating to this body of work.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=5NmSNbqJ3IY\" target=\"_blank\"\u003eClick here to view\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15190721298496,"sku":"9781910164013","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover93.jpg?v=1573740838"},{"product_id":"moonshine-br-bertien-van-manen","title":"Moonshine","description":"\u003cp\u003eSpanning almost three decades,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMoonshine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a portrait of the American Appalachian folk, a mythologised region populated by ‘moonshiners’. Van Manen’s images are defined by a fierce intimacy with her subject, as the viewer teeters on the edge of the frame, perpetually trespassing on private moments: rollicking children practicing handstands on the couch; a kneeling daughter combing the hair of her grandmother.\u003c\/p\u003e\n\u003cp\u003eVan Manen first visited the region in 1985, to the Appalachian areas of Kentucky, Tennessee and West Virginia, returning periodically up until 2013 to visit mining families with whom she lived: the Boggs family with their ten red-haired sons; miners Mavis and Junior. The intergenerational images subtly trace the insidious changes undergone by Appalachia – the slow and steady demise of the mining industry, and the migration of inhabitants from ramshackle wooden cabins to the city, or urban trailer parks. Van Manen intermixes black-and-white images with later colour work – another register of time passing and the inevitability of change.\u003c\/p\u003e\n\u003cp\u003eBertien van Manen rolled into photography almost by accident, taking pictures of her children with an old camera. As her work became more public she was soon drafted into the world of fashion photography. In 1977 she tired of the industry, and on discovering the documentary photography of Robert Frank and Josef Koudelka, van Manen began to explore the developing relationship between herself and her subjects, keeping a closeness and developing a personal, organic style of photography.\u003c\/p\u003e\n\u003cp\u003eAlso available by Bertien Van Manen:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/easter-and-oak-trees-br-bertien-van-manen\" target=\"_blank\" title=\"easter and oak trees\" rel=\"noopener\"\u003eEaster and Oak Trees\u003c\/a\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/lets-sit-down-before-we-go-br-bertien-van-manen\" target=\"_blank\" title=\"lets sit down before we go\" rel=\"noopener\"\u003eLet's Sit Down Before We Go\u003c\/a\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15193902121024,"sku":"9781907946622","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":15193902252096,"sku":"9781907946622S","price":105.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover95.jpg?v=1573740689"},{"product_id":"rodeo-drive-1984-br-anthony-hernandez","title":"Rodeo Drive, 1984","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eRodeo Drive, 1984\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a series of 41 images of shoppers on Beverly Hills’ infamous shopping highway. The subjects appear caught unaware, glancing up as they walk, or daydreaming as they wait to be served in its commercial landscape of shops and restaurants. Anthony Hernandez poses as a dispassionate observer, recording the big hair, wide shoulders and cinched waists of the 1980’s in sunlit photographs.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eHernandez does not simply document the urban experience, but reveals in his images the complexity of social spaces, implying economic disparity and racial divide. Layers of socio-economic tension are exposed on a street in an overt symbol of civic success; as Lewis Baltz observes, “these are the victors...enjoying the spoils of their victory on Rodeo Drive”.\u003c\/p\u003e\n\u003cp\u003eWorking in the 1970s, Hernandez and his contemporaries, who included Lewis Baltz and Terry Wild, were interested in photographing the social landscape of Los Angeles. Hernandez work was included in a landmark exhibition, The Crowded Vacancy, at the Pasadena Art Museum, LA (now the Norton Simon Museum) in 1971, which introduced to the public a new type of American landscape photography – four years prior to New Topographics; both exhibitions inspired an aesthetic movement that continues to resonate today.\u003c\/p\u003e\n\u003cp\u003eAnthony Hernandez (b. 1947) served for two years as a medic in the US Army in the Vietnam War, before taking up photography in 1969. His projects include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLandscapes for the Homeless\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1988-91),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWaiting for Los Angeles\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1996-98)\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures for Rome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2000) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEverything (The Los Angeles River Basin)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2003-4).\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15257774522432,"sku":"9781907946264","price":65.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":15257774686272,"sku":"9781907946264S","price":65.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/RodeoDrive_Cover1.jpg?v=1733395554"},{"product_id":"1981-2011-br-paul-graham","title":"1981 \u0026 2011","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003ePaul Graham, winner of the 2012 Hasselblad Foundation International Award in Photography, is a vital figure in contemporary photography, working for over thirty years and continually challenging different genres of photographic practice. His work has been widely embraced, with exhibitions at the Tate and the Museum of Modern Art, and published in more than 12 monographs. The Hasselblad Award is considered photography's highest prize for lifetime achievement and the list of past winners is a roll call of photography's greatest masters.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn honour of the 2012 award, the Hasselblad Centre in Gothenburg, Sweden is showing an exhibition, together with this book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e1981 \u0026amp; 2011\u003c\/em\u003e, which unites Graham’s first published work\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA1 - The Great North Road\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1981) and his latest\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Present\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011). Edited by Paul Graham in collaboration with Dragana Vujanovic and Louise Wolthers from The Hasselblad Foundation, the book links this thirty-year span, together with an essay written by David Campany, author, curator and artist.\u003c\/p\u003e\n\u003cp\u003eAt the beginning of the 1980’s Graham was among the first photographers to unite contemporary colour practice with the classic ‘social documentary’ genre. In 1981\/2 he completed\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA1 – The Great North Road\u003c\/em\u003e, a series of colour photographs from the length of the British A1 road, which forged a dramatic challenge to the black and white tradition that dominated British photography to that point. This work, along with his other photographs of the 1980’s, were pivotal in reinvigorating and transforming photographic practice in the UK and abroad.\u003c\/p\u003e\n\u003cp\u003eIn 2011 Paul Graham released\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Present\u003c\/em\u003e, which embraces street photography, a genre unique to photography where the artist works with the ceaseless flow of life. These images break with the traditional approach of locking the world into frozen instants and instead brings us each scene together with its double, the briefest fraction of time apart, so that we glimpse the continuum, the before\/after and coming\/ going of life's dazzling dance.\u003c\/p\u003e\n\u003cp\u003eDesigned by Paul Graham and MACK, printed in colour throughout,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e1981 \u0026amp; 2011\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ealigns these two bodies of Graham's work across the 3 decades spanning his career. With David Campany's incisive essay, we can piece together and explore the concerns that link and bind an artist over the years making this a salient book on the passage of creativity in the observable world.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15258937065536,"sku":"9781907946332","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/1981_Cover1.jpg?v=1733405444"},{"product_id":"nylpt-br-jason-evans","title":"NYLPT","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003eThe images in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNYLPT\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eare drawn from one body of work, collected in New York, London, Paris and Tokyo, presented in discrete digital and analogue forms. Jason Evans is preoccupied with the tradition of street photography as an aesthetically colonized form, with precedents resilient to re-interpretation; he says, “Sometimes you visit a place and it looks exactly as you expected it to. Like it does in pictures or on TV or at the movies. It’s like a feeling of nostalgia for something you’ve never known.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNYLPT\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a result of Evans’s compulsive visual collecting alongside an informed and intuitive focus that frames reoccurring motifs in a process-driven work. Evans invests in chance, luck and persistence, randomly layering exposures on film in camera; what emerges are delightful surprises – the reward for not thinking too much – and a visual thinking matter that is both familiar and strange.\u003c\/p\u003e\n\u003cp\u003eJason Evans (b. 1968) is the author of several online sites including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe New Scent\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Daily Nice\u003c\/em\u003e.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40568193450142,"sku":"9781907946295","price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover110.jpg?v=1573740719"},{"product_id":"mrs-merrymans-collection-br-anne-sophie-merryman","title":"Mrs. Merryman's Collection","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-mce-fragment=\"1\" data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWinner of the 2012 MACK First Book Award\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnne-Marie Merryman collected postcards between 1937 and 1980, a collection inherited by her granddaughter, Anne Sophie Merryman.\u003c\/p\u003e\n\u003cp\u003eThe book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMrs. Merryman’s Collection\u003c\/em\u003e, presents the postcards which together form the story of two intertwined lives - one life lived travelling the world through the postcard images, the other a child and then adult whose life and relationship to her own history and her future were influenced by the collection.\u003c\/p\u003e\n\u003cp\u003eWhile Anne-Marie and Anne Sophie never met, both their lives were inspired by the postcard collection - a relationship that was born, and continues to flourish, in the realms of the imagination.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMrs. Merryman’s Collection\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the winner of the First Book Award 2012, an award by the National Media Museum and MACK to support the publication of a book by a previously unpublished photographer.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15266391621696,"sku":"9781907946257","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":15266391851072,"sku":"9781907946257S","price":105.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover112.jpg?v=1573740693"},{"product_id":"gift-card","title":"Gift Card","description":"\u003cp\u003eShopping for someone else but not sure what to give them? Give them the gift of choice with a MACK gift card.\u003c\/p\u003e\n\u003cp\u003eGift cards are delivered by email and contain instructions to redeem them at checkout. Our gift cards have no additional processing fees.\u003c\/p\u003e\n\u003cp\u003eGift cards are valid for one year from purchase date.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"£50.00 GBP","offer_id":16417514684480,"sku":"1257","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"£100.00 GBP","offer_id":16417514750016,"sku":"1258","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"£150.00 GBP","offer_id":16417514553408,"sku":"1259","price":150.0,"currency_code":"GBP","in_stock":true},{"title":"£200.00 GBP","offer_id":16417514651712,"sku":"1260","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover139_0202b91a-4e13-4970-ba5b-08f6ffaa65b4.jpg?v=1573740640"},{"product_id":"people-in-trouble-laughing-pushed-to-the-ground-br-adam-broomberg-oliver-chanarin","title":"People In Trouble Laughing Pushed To The Ground","description":"\u003cdiv title=\"Page 3\" class=\"page\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eExamining the Belfast Exposed archive, Broomberg and Chanarin worked with contact sheets documenting the Troubles in Northern Ireland. They excavated layers of interventions by photographers, community groups, researchers and archivists, revealing that we learn as much about the people charged with looking after this resource as the people portrayed in it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 3\" class=\"page\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24226818490432,"sku":"9781907946042","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers169.jpg?v=1573740737"},{"product_id":"nationalgalerie-br-thomas-demand","title":"Nationalgalerie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThomas Demand's work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGerman language only\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24243857129536,"sku":"9783865219411","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers217.jpg?v=1573740701"},{"product_id":"rockaway-ny-br-roe-ethridge","title":"Rockaway, NY","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe mood of Roe Ethridge's \u003c\/span\u003e\u003ci\u003eRockaway, NY\u003c\/i\u003e\u003cspan\u003e suggests a nostalgic depiction of scenes from a coastal village. 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Kate Bush wrote, \"As technically adept as a commercial photographer yet as thoughtful as a Conceptualist about photography's role and meaning in the modern world, Ethridge believes the ubiquity of the photograph and the instantaneity of its transmission and reception in this age of increasing \"ecstatic communication\" is to be embraced rather than mourned. In his work there appears no cause and no ending, no discrimination between editorial and art, between document and construct, between technology and affect.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eRoe Ethridge\u003cspan\u003e was born in Miami in 1969 and currently lives and works in New York. 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Taking on a simple topic, of late dealt with only through cliché photojournalism, American Night embraces neglected territory in a series of shocking images that sit on the fence between art and document. Graham's images blind and overwhelm the viewer with a feeling akin to stepping out of a sheltered place and into the sunlight.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrained of color, shadow and form, they resonate with the lives of those they portray... and then the sequence snaps, either to a vibrant full-color image of a freshly minted dream house, complete with a blue sky and green grass of unattainable perfection, or to an intensely dark street portrait... before returning to the endless blinding whiteness of everyday life. Beyond their paucity or wealth of color these images contrast one another in their content: These perfect homes are unobtainable to those walking in the burnt landscape; they are a mirage, a dream or promise that can almost never be reached. Here is the chasm between promise and actuality, hope and reality, dream and truth. Shot between 1998 and 2002 in locations across America, including Los Angeles, Memphis, Detroit, New York City and Atlanta.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca title=\"Alec Soth Bookshelf Tour MACK LIVE\" href=\"https:\/\/mackbooks.co.uk\/pages\/live\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24244429520960,"sku":"9783882439199","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers215.jpg?v=1584723926"},{"product_id":"i-want-to-live-innocent-br-torbjorn-rodland","title":"I Want To Live Innocent","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eWith \u003cem\u003eI Want to Live Innocent\u003c\/em\u003e, Torbjørn Rødland takes a break from the nomadic lifestyle reflected in his first book and returns to Stavanger, the city he grew up in. He doesn't revisit old haunts and the images aren't dominated by the geography of the region but Stavanger becomes a generous theatre for Rødlands exploration of the incongruous complexities both of his own mind and that of our culture. The centre of Norways oil industry, this Protestant coastal city has seen a tremendous economic growth since the late 1960s and Rødland utilises a diverse array of pictorial languages to reflect on the paradoxes which arise with the addition of newfound wealth and materialism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTorbjørn Rødland was born in 1970 in Stavanger, Norway. Since the mid-90s his photographs and experimental video works have been exhibited extensively. Rødlands White Planet Black Heart was released in 2006 by SteidlMack. I Want to Live Innocent is co-produced by Stavanger2008 European Capital of Culture. \u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24245686566976,"sku":"9783865216175","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers211.jpg?v=1584975547"},{"product_id":"white-planet-black-heart-br-torbjorn-rodland","title":"White Planet Black Heart","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTorbjørn Rødland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too insane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. \u003c\/span\u003eRødland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes? Bleak black-and-white renditions of countryside churches? George W. Bush's favorite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet, Black Heart makes no excuses as it reinvents the romantic impulses of popular culture. This is \u003cspan\u003eR\u003c\/span\u003e\u003cspan\u003eø\u003c\/span\u003e\u003cspan\u003edland\u003c\/span\u003e's first book.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24245891891264,"sku":"9783865212221","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers210.jpg?v=1573740871"},{"product_id":"elementary-calculus-br-j-carrier","title":"Elementary Calculus","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eJ Carrier has had a nomadic lifestyle, moving from Washington D.C. to Ecuador, and then to Africa and the Middle East, every move taking him further from his friends and family. During his time in Israel, Carrier began to feel an affinity with the migrants who had landed in the dusty city of Tel Aviv, relating to their experience as an outsider, someone far from home. Elementary Calculus, through a series of portraits, landscapes and still life photographs, observes the publicly private moments of these peregrine foreigners as they attempt to connect back to their homes. In his documentation of migrants and refugees in Tel Aviv and Jerusalem, Carrier explores the distance between reality and desire - the want for what was and the hope for what will be - and traces the manner in which we navigate the points between the unknowns. His photographs resonate with the sense that in a foreign country geographical distance loses its physical measure and home feels like a hazy memory, a half-remembered dream. Carrier's subtle yet striking images of Israel and the West Bank throw up more questions than they answer. What does this influx of foreigners mean in a nation that is defined by ethnicity and competing claims of ownership? And how does this complex situation affect these new varieties of refugees? Is there promise in this land for them? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter graduating with a degree in biological sciences, J. Carrier became a drummer in a punk-rock band. He spent most of the past decade living and working in Africa and Israel and now lives in Brooklyn, NY with his wife. He won the fine art award in the New York Photo Awards in 2010, was the Grand Prize Winner at the National Geographic Traveller \/ PDN \"World in Focus\" awards in 2010, and was nominated for the Santa Fe Prize for Photography in 2011.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24247138091072,"sku":"9781907946233","price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers205.jpg?v=1573740619"},{"product_id":"field-trip-br-martin-kollar","title":"Field Trip","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eBetween November 2009 and January 2011, Slovakian photographer Martin Kollar spent extended periods of time working and living in Israel, building a photographic dossier on one of the most contentious geographical zones of modern history. Kollar's past, a childhood spent behind the Iron Curtain, echoed unexpectedly during his time in Israel. The delineated territories of today's Israel mirror the partition walls of Communist Czechoslovakia during 'normalisation'. Random police searches and detentions piqued Kollar's sense of constantly being under surveillance and the subject of suspicion. Field Trip establishes an opaque representation of the life and landscape of Israel. Military presence looms heavily and the images are punctuated with anxiety. Butchered animals combine with uncertain portraits of Israeli residents and leave the viewer unclear where the military landscape ends and the civilian land begins. The work in Field Trip is just that - the result of a trip, an investigative and inquisitive one, tinged with paranoia, the result being a beautiful, stark, often humorous and complex photographic diary of a well-trodden land. This traumatic album epitomizes frontline photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMartin Kollar was born in Zilina, Czechoslovakia (now Slovak Republic). He studied at the Academy of Performing Arts Bratislava and has been working as a freelance photographer and cinematographer since he graduated. He has received several grants and awards, including the Fuji Film Euro Press Photo Award and the Backlight Photography Award in Finland. His work has been exhibited across the world, including Maison Europeen de la Photography Paris, France, Rencontres d' Arles in France, MOCA Shanghai China, Guandong Museum of Art in China and Month of Photography in Krakow. He has\u003c\/span\u003e\u003cspan\u003e published two photography books, Nothing Special (2008) and Cahier (2011).\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":36882188402846,"sku":"9781907946486","price":70.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":36882188435614,"sku":"9781907946486S","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers202.jpg?v=1573740629"},{"product_id":"films-br-paul-graham","title":"Films","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eFilms\u003c\/em\u003e is Paul Graham's eulogy to the physical material of photography: Film. The 20th century's greatest medium has undergone a catastrophic decline over the past decade as digital cameras have swept aside the traditional process of taking photographs. Film has died: Kodacolor, Fujicolor, Tri-X, Kodachrome, Ektacolor - all evocative names for any photographer - are now gone or fading fast. Yet this magical material is a true product of both science: silver salts suspended in gelatin emulsion on celluloid base, and magical alchemy: it could capture light. Film became the defining material of 20th century creativity, and is ubiquitous to every great artist of photography and film making.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile examining his past 30 years of work for the 2009 survey exhibition and book, Graham became enamoured with the material of his craft, and began to reflect upon the physical substance by which he, and all photographers, made their images. Besides scanning his images for the survey, he also scanned the blank film ends and unexposed frames from each body of work to gather an alternative survey, a 'negative retrospective' of his practice. What first appears to be abstract dots, blobs or colour forms, are in fact just greatly magnified images of the raw film emulsion - the color dye clouds formed in the exposure and development of film. These images are not abstract at all, but extreme close-ups of the film's structure - the red, green and blue dyes that form film emulsion, which comprise each and every celluloid image in existence. Their beauteous complication, the wonder of their granular form, irrespective of what they describe, is given here for us to enjoy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraham presents us a timely tribute to the passing of film. The grains, color dyes and black and white crystals, make images of beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photographic material in the 20th century.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24250221232192,"sku":"9781907946028","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers167.jpg?v=1573740629"},{"product_id":"record-pictures-br-michael-collins","title":"Record Pictures","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\" data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eBefore the invention of photography, civil engineers employed topographic artists to record the progression of their projects. Termed \"Record Pictures\", these illustrations followed the tradition of the Dutch topographical landscapes of the seventeenth century, combining the qualities of detail and clarity with the objectivity of technical drawings. As such, Record Pictures had a scientific rather than an artistic purpose.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is exactly how photography developed in its infancy. Photography's prime value was regarded as its ability to make highly detailed, objective (and relatively inexpensive) records. Industry was quick to harness the new medium to make record pictures. Significantly, one of the founders of Britain's Photographic Society was a leading civil engineer. This original application gave rise to a genre of landscape photography that has not been properly recognised. Record Pictures: Photographs from the Archive of the Institution of Civil Engineers represents the photographic jewels of arguably the finest collection in Britain. Spanning a period of 75 years from the mid-nineteenth century, the book contains previously unpublished examples drawn from across Europe, Africa, Australasia, the Far East and Latin America. Record Pictures are the unacknowledged foundation of the history of photography. In his introductory essay, the author Michael Collins demonstrates how this fundamental approach continues unchanged, only now it is no longer industry that applies these principles but such eminent artists as Bernd and Hilla Becher and Thomas Struth, proponents of a contemporary art movement.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24251736260672,"sku":"9783865210319","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers189.jpg?v=1573740761"},{"product_id":"waiting-some-birds-a-bus-a-woman-br-anders-edstrom","title":"waiting some birds a bus a woman","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eWith a highly original approach to photography, Anders Edström creates small sequences of sparse images which elaborate a filmic narrative of inconsequential moments, stories of moments in between moments. As Curtis Winter writes in the introduction to this artist's book, \"They appear as the aftermath of some wire brush cleaning of a slate. To which elements were slowly added. Family, some nature, friends, a bit of community, d cor. Images pulled from the gaps between changing nappies, having meals, talking, getting from here to there...\" \u003ci\u003eWaiting Some Birds a Bus a Woman\u003c\/i\u003e and \u003ci\u003eSpidernets Places a Crew\u003c\/i\u003eare two volumes which collect together some of these stories.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24252064366656,"sku":"9783865210326","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Waiting_Cover1.jpg?v=1734617354"},{"product_id":"there-i-was-br-collier-schorr","title":"There I Was","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThere I Was\u003c\/em\u003e marks a shift in medium and a conceptual departure for Collier Schorr. She is best known for her photographic studies of a real and imagined town in southern Germany, works which tease the accepted artifice of photography to forge an appropriated remembrance of German histories. Schorr found drawing a more acute medium to describe events that took place in the neighbourhoods of her childhood, specifically the muscle car counter culture of the 1960s in Long Island and Queens, NY. This history is related through the short but spectacular life of charismatic 19 year-old drag car racer Charlie Astoria Chas Synder and his 67 Ko-Motion Corvette. At the age of four Schorr accompanied her father, an automotive photographer and journalist, to a local race track where she watched Astoria Chas work on his car. A subsequent article followed, with the now eerie headline While Astoria Chas is doing his thing in Vietnam his friends are racing his L-88. By the time the article was published, Charlie Snyder had died in action in Vietnam. There I Was is Snyder's story and Schorrs dilemma. He was there, she was not. The project examines the role of the photograph as proof of the photographer's presence, territory and view, and the difficulty of representing any past without the theatricality of re-staging it. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased entirely on photography, the book engages with the medium and simultaneously challenges the role of the photograph as document of the past. Using a collision of source materials for the drawings, beginning with her fathers images and Snyders own snapshots taken in Vietnam, Schorr then draws from professional reportage pictures, so as to describe, literally sketch out, one monumental trip from Queens to Vietnam and back. These drawings are contrasted by reproductions of vintage car magazine articles and Schorrs own photograph portraits. There I Was is a complex and multi-faceted look at escape, culture, dreams and mortality, conjuring up an expressionistic portrait of the dichotomies of the late 1960s in a fractured wartime America.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24254165942336,"sku":"9783865216168","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers174.jpg?v=1573740840"},{"product_id":"guido-guidi-br-sardegna","title":"In Sardegna, 1974, 2011","description":"\u003cp\u003eThese three volumes encompass the complete evolution of the work of the renowned Italian photographer, Guido Guidi. Made in Sardinia on two trips separated by forty years, the two books not only mark the stylistic development in the work of Guidi but also the historical shifts and changes on the remote island.\u003cbr\u003e\u003cbr\u003eThe first trip was on Guidi’s honeymoon in 1974, and with a Nikon F and a FIAT 127 he made a series of black and white photographs which reflect the social and political climate of Sardinia in the post-sixties era. The second visit, in 2011, involved 3 cameras – a Hasselblad, a Deardorff 8x10 and a digital Canon – and the now well-known Guidi palette of tender, almost resigned colour.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCo-published with the MAN Museum, Nuoro, Sardinia\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":26307424026688,"sku":"9781912339402","price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":26307556835392,"sku":"9781912339594","price":60.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover225.jpg?v=1573740661"},{"product_id":"the-castle-br-richard-mosse-br-reprint","title":"The Castle","description":"\u003cp\u003eRichard Mosse has spent the past few years documenting the ongoing refugee and migration crisis, repurposing military-grade camera technology to confront how governments and societies perceive refugees. His latest book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Castle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a meticulous record of refugee camps located across mass migration routes from the Middle East and Central Asia into the European Union via Turkey. Using a thermal video camera intended for long-range border enforcement, Mosse films the camps from high elevations to draw attention to the ways in which each interrelates with, or is divorced from, adjacent citizen infrastructure. His source footage is then broken down into hundreds of individual frames, which are digitally overlapped in a grid formation to create composite heat maps.\u003c\/p\u003e\n\u003cp\u003eTruncating time and space, Mosse’s images speak to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo. The book is divided into 28 sites, each presenting an annotated sequence of close-up images that fold out into a panoramic heat map. Within this format, Mosse underscores the provisional architecture of the camps and the ways in which each camp is variously marginalised, concealed, regulated, militarized, integrated, and\/or dispersed. His images point to the glaring disconnect between the brisk free trade of globalized capitalism and the dehumanizing erosion of international refugee law in European nation-states. Named after Kafka’s 1926 novel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Castle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eprompts questions about the ‘visibility’ of refugees and the erosion of their human rights.\u003c\/p\u003e\n\u003cp\u003eThe book comes with a separate book of texts, including a poem by Behrouz Boochani, the journalist, novelist and Iranian refugee currently held by the Australian government in confinement on Manus island, an essay by Paul K. Saint-Amour, associate Professor of English at the University of Pennsylvania, an essay by philosopher Judith Butler, and a text by Richard Mosse.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":29092219879476,"sku":"9781912339181","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover291.jpg?v=1573740798"},{"product_id":"songbook-first-edition-second-printing-1-br-alec-soth","title":"Songbook (First edition, second printing)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e“This is the closest we have to an Americans for our time... CAPOLAVORO!... already hailed critically as a classic... One of the best photo books in a lonnnnng time”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eKnown for his haunting portraits of solitary Americans in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBroken Manual\u003c\/em\u003e, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe LBM Dispatch\u003c\/em\u003e, as well as on assignment for the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003c\/em\u003e, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a lyrical depiction of the tension between American individualism and the desire to be united.\u003c\/p\u003e\n\u003cp\u003eAlec Soth (b. 1969) is a photographer born and based in Minneapolis, Minnesota. His photographs have been featured in numerous solo and group exhibitions, including the 2004 Whitney and Sao Paulo Biennials. In 2008, a survey exhibition of Soth’s work was exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland. In 2010, the Walker Art Center produced a traveling survey exhibition of Soth’s work entitled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrom Here To There\u003c\/em\u003e. Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth founded his own publishing company, Little Brown Mushroom. Soth is represented by Sean Kelly in New York, Weinstein Gallery in Minneapolis, Fraenkel Gallery in San Francisco, and is a member of Magnum Photos.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Alec Soth's Bookshelf Tour \u003ca title=\"Alec Soth Bookshelf Tour MACK LIVE\" href=\"https:\/\/mackbooks.co.uk\/pages\/live\"\u003ehere\u003c\/a\u003e. \u003c\/strong\u003e\u003ca href=\"http:\/\/time.com\/4097317\/best-photobooks-2015\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":37015206199454,"sku":"9781910164020_2","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":31783661862964,"sku":"9781910164020S_2","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Songbook_Cover1.jpg?v=1734617840"},{"product_id":"a1-the-great-north-road-br-paul-graham","title":"A1 - The Great North Road (First MACK edition, First printing)","description":"\u003cp class=\"p1\"\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eA1 - The Great North Road\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e was Paul Graham's first book, published in 1983. Despite the UK having a vibrant photographic scene at the time, there were only handful of monographic books - Chris Killip and Martin Parr had one each - and no dedicated publishers or distributors. Graham had to self-publish \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eA1\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, but as the first colour book, it had a startling impact on British photography. Uniting the tradition of social documentary with the fresh approach of new colour, \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eA1 - The Great North Road\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e was transformative on photography in the UK and paved the way for a new generation of British colour photographers to emerge, from Nick Waplington to Anna Fox, Richard Billingham to Tom Wood. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eSpanning the full length of England and into Edinburgh, Graham travelled repeatedly along the 'Great North Road' with a large format camera, to record the people, buildings, and landscape of early 1980's Britain. Now 40 years old, this book is as much art as it is a historical document of the years of Margaret Thatcher’s government and the UK’s declining industrial base. \u003cbr\u003e\u003cbr\u003eGraham went on to complete \u003cem\u003eBeyond Caring\u003c\/em\u003e (1985) and \u003cem\u003eTroubled Land\u003c\/em\u003e (1986), both of which became iconic bodies of work. Originally self-published and now rare, Graham's 1980's trilogy of books will be re-published over the coming years by MACK.\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":31958447161396,"sku":"9781912339945_1","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":31958447194164,"sku":"9781912339945S_1","price":120.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover402.jpg?v=1597402266"},{"product_id":"the-adventures-of-guille-and-belinda-and-the-enigmatic-meaning-of-their-dreams-br-alessandra-sanguinetti","title":"The Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003eFor more than two decades, Alessandra Sanguinetti has been photographing the lives of Guillermina and Belinda, two cousins living in rural Argentina, as they move through childhood and youth toward womanhood. This volume, originally published in 2010 and reissued now as the first instalment of a trilogy, chronicles the first five years of their collaboration. Sanguinetti’s images portray a childhood that is both familiar and exceptional. The farmlands of western Buenos Aires province are a particular mix of the modern and traditional, where life is lived in consonance with animals and rugged landscapes. Against this backdrop, Guille and Belinda go through the childhood rites of dressing up and make believe, exploring and appropriating the world around them as they go. As they slip between roles, alternately performing for and being caught by Sanguinetti’s camera, the profound bond between the two girls is unmistakable. Approaching the precipice of early adolescence, their games are imbued with the poignant weight of their dreams and desires as the world of play meets that of reality. By depicting the lives of women and girls within the conventionally masculine world of Argentinan gauchos and farmers, Sanguinetti’s book interrogates the frameworks of mythologies of all kinds, honouring lives that are usually unseen. \u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e is a portrait of rural childhood at once quiet and poetic, in which the fantastic and the mundane are intimately entwined.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":36733327835294,"sku":"9781913620134","price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":36733327868062,"sku":"9781913620134S","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover496.jpg?v=1620207042"},{"product_id":"archive-br-bertien-van-manen","title":"Archive","description":"\u003cp class=\"p1\"\u003eSince the 1970s, Dutch photographer Bertien van Manen has created intimate and poignant photographs of commonplace scenes, produced during extended trips to Europe, America, China and the former Soviet Union. Van Manen has established herself as a unique voice in documentary photography, her visual language imbued with empathy and respect for the everyday lives of her subjects. This book presents an extensive overview of Van Manen’s work, alongside diary entries and previously unpublished selections from her archive.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book has been edited and designed by renowned Dutch designer Hans Gremmen to offer a unique insight and overview of Van Manen’s history, establishing this publication as the ultimate reference work on her oeuvre.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YKpYguSKl6U\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Signed","offer_id":36733480304798,"sku":"9781912339662S","price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Unsigned","offer_id":36733480272030,"sku":"9781912339662","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover580.jpg?v=1627473349"},{"product_id":"the-citadel-a-trilogy-br-mame-diarra-niang","title":"The Citadel: a trilogy","description":"\u003cp class=\"p1\"\u003e\u003ci class=\"\"\u003eThe Citadel\u003c\/i\u003e\u003cspan\u003e is the story of an inner journey, told in three movements. It maps a route through discovery, loss, and renewal across landscapes equally real and imagined by the artist. In 2007, Mame-Diarra Niang returned to Senegal to bury her father after spending years away living in France. Her intimate interest in the notion of territory translates into a refracted representation of the landscapes she rediscovered on this visit. The places before Niang’s lens are at once forensically studied and transformed into fabular non-places. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cbr\u003e\u003cem\u003eSahel Gris\u003c\/em\u003e depicts a no-man’s land where infrastructural projects lay abandoned to the dust. It holds the roots of \u003cem\u003eThe Citadel\u003c\/em\u003e, its ‘ground zero’, where the continuous horizon line evokes a state of permanent suspension between movement and inertia. In \u003cem\u003eAt the Wall,\u003c\/em\u003e Niang pauses at a place of rest and interrogation, an oracle, and the gate to \u003cem\u003eThe Citadel\u003c\/em\u003e. In \u003cem\u003eMetropolis\u003c\/em\u003e, Niang steps finally into the belly of the beast, looking outwards from within the crowded urban superficies that constantly shift before her eyes, dazzling in the southern light. At the centre of Niang’s vision is the notion of ‘the plasticity of territory’, in which a personal investigation of place becomes indistinguishable from the photographer’s own metamorphosis, and landscape becomes a ‘material for producing many selves.’ \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIn these works, collected here in an expansive and tactile three-volume edition, a personal but analytic relationship with place emerges. 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As with his photographs of the Mississippi, Soth’s pictures of Niagara are less about natural wonder than human desire. “I went to Niagara for the same reason as the honeymooners and suicide jumpers,” says Soth, “the relentless thunder of the Falls just calls for big passion.” Working over the course of two years on both the American and Canadian sides of the Falls using a large-format 8x10 camera, the photographs are rigorously composed and richly detailed. Soth depicts newlyweds and naked lovers, motel parking lots and pawn shop wedding rings. Throughout the book, Soth has interspersed a number of love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote of the Falls, “The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life.” In Soth’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNiagara\u003c\/em\u003e, we see both the passion and the disappointment. His pictures are a remarkable portrayal of modern love and its aftermath.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIncludes essays by Philip Brookman and Richard Ford.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Alec Soth's Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39349545173150,"sku":"9781912339259","price":65.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":39349555429534,"sku":"9781912339259S","price":70.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover12_9eee425a-e7f5-4e83-a5bb-91483857301a.jpg?v=1625765867"},{"product_id":"the-adventures-of-guille-and-belinda-and-the-illusion-of-an-everlasting-summer-br-alessandra-sanguinetti-first-edition-third-printing","title":"The Adventures of Guille and Belinda and The Illusion of an Everlasting Summer","description":"\u003cp class=\"p1\"\u003eThis book presents Alessandra Sanguinetti’s return to rural Argentina to continue her intimate collaboration with Belinda and Guillermina, two cousins who, as girls, were the subjects of the first book in her ongoing series,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003eIn this second volume,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Illusion of An Everlasting Summer\u003c\/em\u003e, we follow Guillermina and Belinda from ages 14 to 24 as they negotiate the fluid territory between adolescence and young adulthood. Still surrounded by the animals and rural settings of their childhood,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEverlasting Summer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edepicts the two cousins’ everyday lives as they experience young love, pregnancy, and motherhood - all of which, perhaps inevitably, results in an ever-increasing independence from their families and each other. Similarly, we can sense a shift in Sanguinetti's relationship to the cousins and the work they make: from insular childhood collaborators to three women with lives branching in different directions. Though the passage of time is one of the most palpable tensions at work in these photographs, An\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEverlasting Summer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edeepens Sanguinetti's exploration of the timeless, universal language of female intimacy and friendship.\u003cbr\u003e \u003cbr\u003eMACK will be publishing an ongoing series of formally similar volumes from the body of work\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e, commencing with a reprint of the first book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein early 2021.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39540762935454,"sku":"9781912339976","price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":39540762968222,"sku":"9781912339976S","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover398_e4bdd96f-0437-474c-b07b-06914f5028c3.jpg?v=1624625082"},{"product_id":"eikoh-hosoe-english-edition-br-yasufumi-nakamori-ed","title":"Eikoh Hosoe (English edition)","description":"\u003cp class=\"p1\"\u003eEikoh Hosoe (b. 1933, Yamagata) is one of the most influential Japanese photographers in the history of the medium. This comprehensive volume will be the primary resource on Hosoe’s oeuvre, edited, designed, and produced under the artist’s direction and with the collaboration of internationally renowned curator and scholar Yasufumi Nakamori.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan\u003eSince the mid-1950s, Eikoh Hosoe has been at the forefront of photographic practice in Japan: as an image-maker encompassing a broad range of subjects; a curator introducing works of master European and American photographers to Japan in 1968; a teacher informing the careers of numerous distinguished photographers, such as Daido Moriyama. He co-established an influential lens-based art journal, co-founded the photographic cooperative Vivo and later the progressive Photography Workshop, created a university education curriculum and photography collection, and exhibited and published numerous books and catalogues of his own photographs in Japan. In the process, he pioneered the establishment of postwar Japanese photography, rescuing the medium from the pre-existing modes of documentary and realism and positioning it at a new nexus of art, literature, performance, and film.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis career-defining publication not only features Hosoe’s major photographic series but also reveals his lesser-known collaborative works with writers, critics, dancers, and artists, including Yayoi Kusama, in portraiture and beyond. Additionally, the volume includes two newly-commissioned essays offering new perspectives on Hosoe’s oeuvre, alongside reprints of a selection of previously-published seminal essays on Hosoe by a range of Japanese writers, including the novelist Yukio Mishima and the art critic Shuzo Takiguchi. As well as serving as a survey of Hosoe’s work, this book uncovers the essential protagonists of Japanese art, photography, dance, and literature across the post-1945 era.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e細江英公（1933年、山形県生まれ）は、日本の写真史上、最も影響力のあった写真家の一人です。日本での大規模な回顧展に合わせて出版されるこの包括的な書籍は、細江氏の指示のもと、国際的に著名な学芸員・研究者である中森康文氏の協力を得て編集・デザイン・制作されており、細江氏の作品についての最も重要な資料源となることでしょう。 \u003cbr\u003e\u003cbr\u003e細江英公は、1950年代半ばから幅広い題材を扱うイメージメーカーとして、1968年には欧米の巨匠写真家の作品を日本に紹介するキュレーターとして、そして、森山大道をはじめとする多くの著名な写真家のキャリアを成長させた指導者として、日本の写真界の第一線で活躍してきました。彼は、写真を主なコンテンツとする影響力のあるアート誌と写真家集団『Vivo』を共同で立ち上げ、その後、斬新的な『写真ワークショップ』を共同で設立し、大学の教育カリキュラムと写真コレクションを作成して自身の作品から数多くの写真集やカタログを日本国内で展示・出版しました。その過程で、彼は戦後の日本の写真界の確立を先導し、ドキュメンタリーやリアリズムという既に確立された芸術形態の中から写真という媒体を救い出し、芸術、文学、パフォーマンス、映画などとの新しい接点を見い出しました。 \u003cbr\u003e\u003cbr\u003e彼のこれまでの活動の総まとめとなる今回の出版では、細江氏の主要な写真シリーズだけでなく、作家、批評家、ダンサー、草間彌生などのアーティストとの知られざるコラボレーションがポートレートを中心にして紹介されています。さらに、細江氏の作品に対する新たな視点を与えてくれる2つの新作エッセイと、小説家の三島由紀夫や美術評論家の瀧口修造など日本の様々な作家による細江氏に関する独創性溢れるエッセイを再録したものも収録されています。本書は、細江作品の概観としてだけでなく、1945年以降の日本の美術、写真、ダンス、文学の分野における重要なアーティストたちについて知られずにいたことも教えてくれる書籍となっています。\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/PB6Xu4ND0tg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39850780131486,"sku":"9781913620240","price":55.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":40080966549662,"sku":"9781913620240S","price":150.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/01_Hosoe.jpg?v=1635530095"},{"product_id":"mundo-de-papel-br-thomas-demand","title":"Mundo de Papel","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublished on the occasion of a major solo exhibition at the Centro Botín in Santander, \u003c\/span\u003e\u003ci data-stringify-type=\"italic\"\u003eMundo de Papel\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eexplores the work of Thomas Demand in his most ambitious book to date. This extraordinary publication makes use of sophisticated paper mechanics in the form of pop-ups to represent the eight pavilions Demand designed to be suspended in the Centro Botín, each of which replicates an urban landscape.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eThe volume includes a separate book of installation views of the exhibition and a newly commissioned text by Nobel laureate Mario Vargas Llosa. \u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6Z51FW3HMUA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40110211137694,"sku":"9781913620523","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/MundoDePapel1.jpg?v=1714746030"},{"product_id":"puglia-tra-albe-e-tramonti-br-luigi-ghirri","title":"Puglia. Tra albe e tramonti","description":"\u003cp class=\"p1\"\u003e\u003cem\u003ePuglia. Tra albe e tramonti\u003c\/em\u003e offers a brilliant account of Luigi Ghirri’s relationship with Puglia — a distinctive region at the heel of Italy, which was pivotal in establishing Ghirri’s career and continued to inspire him throughout it. A first visit in 1982 introduced Ghirri to Puglia’s whitewashed streets, luminescent nights, doorways and arches, potted cacti, funfairs, and beaches, as well as a group of artists, critics, and curators who would become his close friends and collaborators. Over the following decade, Ghirri returned to the area almost every year, photographing, exhibiting, and deepening his understanding of its subtle terrain. These photographs, almost all of which are little-known and previously unpublished, capture the textures and rhythms of urban life, delighting in visual coincidence and tactile detail. Their sense of quiet discovery — and the colour film on which they are shot — allude warmly to the area’s identity as a popular holiday destination. Ghirri maps the Apulian territory via the traces left by its inhabitants and visitors in images flooded with the distinctive light of Southern Italy – the bright sun and its eloquent shadows, and the otherworldly aura of neon and streetlights after dark.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eWith texts by Adele Ghirri and Arturo Carlo Quintavalle.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YMyMGI-ww58\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43681573634274,"sku":"9781913620356","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Puglia_angled.jpg?v=1714746155"},{"product_id":"scumb-manifesto-br-justine-kurland","title":"SCUMB Manifesto","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cspan class=\"s1\"\u003eShortlisted for the \u003c\/span\u003eParis Photo–Aperture PhotoBook Awards 2022\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003eInspired by Valerie Solanas’ iconoclastic feminist tract \u003cem\u003eSCUM\u003c\/em\u003e (Society for Cutting Up Men) \u003cem\u003eManifesto\u003c\/em\u003e, \u003cem\u003eSCUMB Manifesto\u003c\/em\u003e introduces us to photographer Justine Kurland’s own uncompromising initiative: the Society for Cutting Up Men’s Books. This volume presents a collection of collages Kurland created by cutting up and reconfiguring photobooks by male artists, as she went through the process of purging her own library of roughly 150 books by straight white men that have monopolized the photographic canon. The nature of collage — heterogeneous, pulled apart, shape shifting, disrupted, cyborg, fantasy — has long made it a feminist strategy in life and in art. \u003cspan data-mce-fragment=\"1\"\u003eKurland's ritual is restorative and loving: each work\u003c\/span\u003e is a reclamation of history; a dismemberment of the patriarchy; a gender inversion of the usual terms of possession; and a modest attempt at offsetting a life of income disparity. While markedly different in style, the defiant female visions pictured in these compositions are a continuation of those depicted in Kurland’s earlier photographic projects \u003cem\u003eGirl Pictures\u003c\/em\u003e (1997–2002) and \u003cem\u003eMama Babies\u003c\/em\u003e (2004–07). Each work in \u003cem\u003eSCUMB\u003c\/em\u003e sounds an electrifying call for freedom — the freedom to create, to destroy, to imagine, and to reshape our visual and social world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIncludes essays by Marina Chao, Renee Gladman, Catherine Lord, and Ariana Reines.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncludes a large-format pull-out poster in the back of the book.\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Poster_3_480x480.png?v=1646829845\" alt=\"\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Poster_3_480x480.png?v=1646829845\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003cbr\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TSIcsWGc1Zs\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":42091972198626,"sku":"9781913620561","price":60.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":42091972231394,"sku":"9781913620561S","price":65.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/SCUMB_angledfront.jpg?v=1714746314"},{"product_id":"doug-aitken-works-1992-2022-br-doug-aitken","title":"Works 1992–2022","description":"\u003cp class=\"p1\"\u003eThis comprehensive new book explores the career of multimedia artist Doug Aitken, following the path from his first major works in the late 1990s through to the present day. Aitken’s work encompasses large-scale film installations such as \u003cspan class=\"\"\u003e\u003cem\u003eSleepwalkers\u003c\/em\u003e \u003c\/span\u003e(2007), site-specific sculptures including his \u003cspan class=\"\"\u003e\u003cem\u003eUnderwater Pavilions\u003c\/em\u003e \u003c\/span\u003e(2016) installed off the coast of Catalina Island, California, and peripatetic happenings like \u003cem\u003e\u003cspan class=\"\"\u003eStation to Station \u003c\/span\u003e\u003c\/em\u003e(2013), which saw a train containing a travelling studio cross the USA from the Atlantic to the Pacific, staging unique performance events at each stop. Weaving together images and text in an energetic composition of rhythm and movement, this authoritative volume mirrors the ways in which Aitken has approached and explored the contemporary world in his conceptual body of work across multiple mediums.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"\"\u003eWith an introduction by Joseph Akel and a new extended essay on Aitken’s oeuvre by Daniel Birnbaum, plus archival essays and interviews with the artist by writers including Marc Spiegler, Terry Riley, Hans Ulrich Obrist, Joseph Grima, April Lamm, Susan Solomon, and Jörg Heiser.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":42092288606434,"sku":"9781913620257","price":100.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":43017169010914,"sku":"9781913620257S","price":105.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/DougAitken.jpg?v=1714745286"},{"product_id":"american-polychronic-br-roe-ethridge","title":"AMERICAN POLYCHRONIC","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eAMERICAN POLYCHRONIC\u003c\/em\u003e presents the first comprehensive catalogue of Roe Ethridge’s work from 1999 to 2022, comprised of two interlocking threads of his celebrated photographic practice. Ethridge’s artistic and personal work is sequenced chronologically, interwoven with his commercial photography in chronological reverse, together forming a vibrant sequence of harmonies and dissonance, hits and B-sides. This long-form sequence moves fluidly between genres in the pursuit of a distinctive visual language — blending and playfully juxtaposing the realms of fine art, fashion imagery, and advertising with the everyday, personal, and generic. Ethridge explores how new visual experiences can be created through the reproduction and recombination of images, photographing and distorting the real as way of suggesting — or disrupting — the ideal.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWith an essay by Jamieson Webster and a conversation between the artist and Antwaun Sargent.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":42092389761250,"sku":"9781913620653","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":42092389794018,"sku":"9781913620653S","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/AmericanPolychronic_angled.jpg?v=1714744859"},{"product_id":"evidence-br-james-white","title":"Evidence","description":"\u003cp class=\"p1\"\u003eThis limited edition artist’s book brings together digital collages and manipulated photographs by painter James White based on the celebrated and hugely influential series\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEvidence\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Mike Mandel and Larry Sultan. 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In this volume, White pays tribute to Sultan and Mandel’s project by further undermining the evidentiary nature of the photographic medium through a process of intervention and painterly gesture which disrupts and reconstitutes the images’ mercurial surfaces.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003ePublished as a limited edition of 1000 signed copies.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":42092447793378,"sku":"9781913620684","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Evidence_angled.jpg?v=1714745384"},{"product_id":"some-say-ice-br-alessandra-sanguinetti","title":"Some Say Ice","description":"\u003cp\u003eSince 2014, Alessandra Sanguinetti has been returning to the small town of Black River Falls in Wisconsin, creating the photographs that would come to form the stark and elliptical series \u003cem\u003eSome Say Ice\u003c\/em\u003e. The same town is the subject of \u003cem\u003eWisconsin Death Trip\u003c\/em\u003e, a book of photographs taken by Charles Van Schaick in the late 1800s documenting the bleak hardships of the lives and deaths of its inhabitants. Sanguinetti first came across this book as a child, and the experience is engraved into her memory as her first reckoning with mortality. This encounter eventually led her to explore the strange relationship of photography and death, and ultimately to make her own visits to Black River Falls. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe austere, sculptural scenes and ambiguous, uneasy portraits that make up \u003cem\u003eSome Say Ice \u003c\/em\u003edepict a place almost outside of time. Presented unadorned by text or explication, the photographs are touched with the spirit of the gothic as well as the unmistakable tenderness familiar from Sanguinetti’s series \u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e. By bringing undercurrents of doubt and darkness to the surface of her images, Sanguinetti alludes to things absent or invisible, playing on atmospheres both real and imagined, as well as the ghostly possibility of undoing death through the act of photography. With its title inspired by Robert Frost’s famous poem equivocating on how best one’s inevitable death might be met, \u003cem\u003eSome Say Ice \u003c\/em\u003eis a humane look at the melancholic realities underpinning our lives, seen with glacial clarity by one of the world’s foremost photographers.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":42845362258146,"sku":"9781913620714","price":70.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":43208703115490,"sku":"9781913620714S","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/SomeSayIce_angled.jpg?v=1714746482"},{"product_id":"collected-works-volume-1-1990-2005-br-caruso-st-john","title":"Collected Works: Volume 1 1990-2005","description":"\u003cp\u003e\u003cspan\u003eThe first volume of a collected works, this book covers fifteen years of Caruso St John, one of the most highly acclaimed and influential contemporary archi­tectural practices. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing a thematic course shaped around key phases and aspects of their thinking, this extensive volume offers a detailed reflection on the practice’s activities between 1990 and 2005. Through a chorus of voices including critics, clients, and artists, it narrates their early emergence and de­velopment through to the international recognition which came with projects such as Nottingham Contemporary, The New Art Gallery Walsall, and the Brick House, with the latter two both being shortlisted for the Stirling Prize.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDetailed accounts of early projects and competition entries, with unseen drawings and new commentaries by Adam Caruso and Peter St John, are presented here accompanied and contextualised by inventories of references from across architecture and contemporary art, together with new and archival texts capturing each project’s formation and reception. With an open and re­flexive structure, the book offers both an accessible introduction and a detailed, cross-referential constellation of ideas, images, influences, and documentation. Diverse projects such as the progressive reiterations of Peter St John’s home at Orleston Mews and the signage system for London’s Bankside sit in dialogue with more well-known buildings. Bringing together the renowned and the minor, the peripheral and the spectacular, the ugly and the beautiful, this essential book – the first comprehensive monograph on the practice – embodies Caruso St John’s belief that the contemporary world is composed not solely of the new but of everything that has come before. It illuminates a vision of the built environment as a network of culture, memory, construction, and emotion, and articulates an architecture that inhabits and evolves with that fluctuating whole. Includes texts by Wim Wenders, Hans Kollhoff, Irénée Scalbert, Vicky Richardson, Claes Caldenby, Dominique Boudet, James Lingwood, Adam Caruso, Peter St John, and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume 2 available\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.mackbooks.co.uk\/products\/collected-works-volume-2-2000-2012-br-caruso-st-john\"\u003ehere\u003c\/a\u003e\u003cbr\u003eVolume 3 available \u003ca href=\"https:\/\/mackbooks.co.uk\/products\/collected-works-volume-3-2010-2020\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":56092053274997,"sku":"9781913620769","price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/CollectedWorksVol1_angled.jpg?v=1714745140"},{"product_id":"el-porque-de-las-naranjas-br-ricardo-cases","title":"El porqué de las naranjas","description":"\u003cdiv class=\"gallery__caption\" itemprop=\"caption\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eAt first sight, reality appears chaotic and anarchic. If events have any kind of logic to them, it lies well hidden behind an overlay of banality so thick as to make it invisible. And yet, at certain exceptional moments, life slackens and reveals itself. The automaton allows its innards be glimpsed, and its mechanism becomes momentarily evident as the logic of chaos.\n\u003cp\u003eIn \u003cem\u003eEl porqué de la naranjas\u003c\/em\u003e, Spanish photographer Ricardo Cases does not document the surface symptoms of reality, but instead renders the non-visible, the mechanistic. In his immediate surroundings – the fertile region of Levante in Spain – the photographer reveals ephemeral moments that might otherwise go unnoticed. Out on the streets he sets out to make visible the laws that regulate the universe, hunting down the elementary participles in the same vein as a nuclear physicist attempting to identify the Higgs particle. Cases uses the landscape as a laboratory, a place where these mechanisms can manifest themselves freely. The work is not a portrait of Levante itself, but of the spirit of Levante, and thus of the spirit of Spain as a whole.\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43433877209314,"sku":"9781910164044","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Elporquedelasnaranjas1.jpg?v=1714745333"},{"product_id":"the-japan-o-philes","title":"The Japan-o-philes","description":"\u003cp\u003eImmerse yourself in the best of Japanese architecture and photography with this pair bringing together one of the twentieth century's most celebrated critics and one of the twenty-first's most striking new photographers. Manfredo Tafuri's classic study of the modern architecture of Kenzo Tange and his contemporaries, translated into English for the very first time in this new edition from Mohsen Mostafavi, sits alongside Hayahisa Tomiyasu's much-loved account of the life of a single ping-pong table seen from his apartment window.\u003c\/p\u003e\n\u003cp\u003e Included:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e- \u003cem\u003eModern Architecture in Japan\u003c\/em\u003e, Manfredo Tafuri (RRP £20)\u003cbr\u003e- \u003cem\u003eTTP\u003c\/em\u003e, Hayahisa Tomiyasu - signed edition (RRP £35)\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43558143557858,"sku":"The Japan-o-philes","price":55.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/PowerCouples43.jpg?v=1666788896"},{"product_id":"the-urbanites","title":"The Urbanites","description":"\u003cp\u003ePenelope Curtis and Grégoire Pujade-Lauraine take us on tactile journeys through the symbols and textures of the contemporary city illuminated by their unique critical and artistic perspectives. Curtis examines the wall as a locus of innovation in architecture and sculpture over the post-war years, encompassing a range of dazzling work by Anni Albers, Marcel Breuer, Donald Judd, Mary Martin, and Henry Moore, among many others. Pujade-Lauraine offers a riddling photographic examination of the mysterious figures and shapes embedded on the surface of our cities.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Urban_480x480.gif?v=1666710881\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncluded:\u003cbr\u003e\u003cbr\u003e- \u003cem\u003eDouble Orbit,\u003c\/em\u003e Grégoire Pujade-Lauraine (RRP £25)\u003cbr\u003e- \u003cem\u003eThe Pliable Plane: The Wall as Surface in Sculpture and Architecture, 1945–75,\u003c\/em\u003e Penelope Curtis (RRP £28)\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":43558177636578,"sku":"The Urbanites","price":53.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/PowerCouples_c1c41a5d-b807-4ab1-b6b4-f062e0a3f08d.jpg?v=1666710942"},{"product_id":"topographies-aerial-surveys-of-the-american-landscape-br-stephen-shore","title":"Topographies: Aerial Surveys of the American Landscape","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eTopographies: Aerial Surveys of the American Landscape\u003c\/em\u003e presents the latest body of work from Stephen Shore: a series of photographs shot by drone from 2020 onwards, which reveal in arresting detail the interplay of natural and man-made landscapes in Montana, North Carolina, New York, and beyond.\u003cbr\u003e\u003cbr\u003eIn this new body of work, Shore revisits the original ambitions of the renowned 1975 exhibition ‘New Topographics’, using a new aerial viewpoint to consider afresh the concerns of the movement – the objective, the commonplace, and the relationship of the natural and man-made in the American landscape – reflecting on how these might be applied in the twenty-first century.\u003cbr\u003e\u003cbr\u003eAs much as exploring the formal possibilities of the aerial photograph, \u003cem\u003eTopographies\u003c\/em\u003e displays a glorious dedication to detail and surprise, in which the slightest bend of a river or turn of a shadow uncovers the textures and colours of America’s urban and suburban landscapes, all investigated with Shore’s signature rigour.\u003cbr\u003e\u003cbr\u003eWith essays by Noah Chasin and Richard B. 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