{"title":"Photography","description":"","products":[{"product_id":"ouarzazate-br-mark-ruwedel","title":"Ouarzazate","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSigned by the artist\u003c\/strong\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOuarzazate\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a small city in the Moroccan desert famous for its movie studios and filming locations, an industry which began with David Lean and Lawrence of Arabia.\u003c\/p\u003e\n\u003cp\u003eInvited by the American Friends of the Marrakech Museum for Photography and the Visual Arts to propose a project for his artist residency there, Ruwedel photographed the movie sets in 2014 and 2016.\u003c\/p\u003e\n\u003cp\u003eMuch of the filming activity in Ouarzazate has been for costume and Biblical epics.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCleopatra\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Garden of Eden\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Mummy\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Last Temptation of Christ\u003c\/em\u003e; but also\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Sheltering Sky\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Hills Have Eyes\u003c\/em\u003e. Many of the sets appear to have been abandoned while others are constantly repurposed.\u003c\/p\u003e\n\u003cp\u003eAn Egyptian portal leads to a medieval village. An authentic Kasbah in ruins is actually a ruined replica of a “real” Kasbah elsewhere. Shepherds drive their flocks past “ancient” siege machines and Roman columns. “I was reminded of certain passages in Nathaniel West’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDay of the Locust\u003c\/em\u003e.”\u003c\/p\u003e\n\u003cp\u003eFar from the American deserts where he has produced much of his work of the past thirty years, in Morocco Ruwedel continues his long term interest in contemporary ruins and the histories of both landscape and landscape photography. The photographs are eerily reminiscent of 19th century European photography of ancient Egypt and the Middle East.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":13724223176768,"sku":"9781912339266","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover7.jpg?v=1573740728"},{"product_id":"public-matters-br-janet-delaney","title":"Public Matters","description":"\u003cp\u003eCapturing the spirit of protest and parade,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePublic Matters\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together photographs made by Janet Delaney in Reagan-era San Francisco. At this turbulent time in the mid eighties, Delaney was living in the primarily Latino neighbourhood of the Mission District. She would spend the weekends photographing public gatherings, from the annual Cinco de Mayo parade, to the Peace, Jobs and Justice marches, which rallied against the U.S. invasion of Nicaragua. If political governance was regressing, the West Coast city was a place where, as Delaney remembers, ‘progressive ideas would always be upheld.’ Celebrating multiculturalism and collective struggles for social justice,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePublic Matters\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esurfaces at a juncture when the message of building bridges is needed now more than ever.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the vintage glow of her sun-drenched images, Delaney leads us in and out of crowds – among demonstrators, fair-goers, cross-dressers, union organisers, beauty pageants, dancers, salesmen, mothers, kids, and market punters – searching for as many intimate moments as she found collective voices. Fearlessly upbeat, her photographs nevertheless intimate a time when, as Delaney recollects, people ‘were reeling from the shift to a conservative government. The demands of the 1960s were addressed in the 70s: the end of the Vietnam war, women’s rights, environmental issues, gay rights, to name a few. Then when Reagan was elected all this came to a halt.’ And as soon as the streets were filled with placards – ‘babies are for loving, not for bombing’; ‘Hatred can never cure the disease of fear, only love can do that’ – Delaney was there, in the middle of the maelstrom, making pictures of public matters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14399379046464,"sku":"9781912339020","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14399379112000,"sku":"9781912339020S","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/PublicMatters_Cover1.jpg?v=1733413916"},{"product_id":"fish-story-br-allan-sekula","title":"Fish Story","description":"\u003cp\u003eCompleted between 1989 and 1995,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esaw Allan Sekula’s career-long pursuit of a contemporary ‘critical realism’ reach its most complex articulation.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereconstructed a realist model of photographic representation, while taking a critical stance towards traditional documentary photography. It also marked Sekula’s first sustained exploration of the ocean as a key space of globalisation. A key issue in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the connection between containerized cargo movement and the growing internationalization of the world industrial economy, with its effects on the actual social space of ports.\u003c\/p\u003e\n\u003cp\u003eThe ambition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003elies both in its immense complexity and global scope and in its emphatic challenge to the dominant climate of postmodern theory and practice of the late 1980s and early 1990s.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFish Story\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoccupies a pivotal place in a gradual shift, still nascent in the early 1990s, from a widespread culture of resignation and cynicism to one of renewed radical engagement in the art world.\u003c\/p\u003e\n\u003cp\u003eThis new edition of the long out-of-print seminal publication includes a new introduction by Professor Laleh Khalili [SOAS University].\u003ca href=\"https:\/\/lintervalle.blog\/2018\/09\/20\/fish-story-la-globalisation-selon-allan-sekula-photographe\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":45995488182498,"sku":"9781912339044","price":40.0,"currency_code":"GBP","in_stock":true},{"title":"Ebook","offer_id":45995488215266,"sku":"9781912339044E","price":17.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover15.jpg?v=1573740630"},{"product_id":"she-dances-on-jackson-br-vanessa-winship","title":"she dances on Jackson","description":"\u003cp\u003eIn 2011 Vanessa Winship was the recipient of the Henri Cartier Bresson Award which funds an artist to pursue a new photographic project. For over a year Winship travelled across the United States, from California to Virginia, New Mexico to Montana, in pursuit of the fabled ‘American dream’. \u003cem\u003eshe dances on Jackson\u003c\/em\u003e presents a conversation, a lyrical and lilting interaction between landscape and portrait exploring the vastness of the United States and attempting to understand the link between a territory and its inhabitants. For Winship this relationship is inextricable; places accrue particular meanings according to the people she meets, what she sees, and by what's happening to her personally. Each human encounter, sound and smell adds extra dimensions to her work and the resulting photographs.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eshe dances on Jackson\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emarks a progression. 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Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women. Putting female subjectivity into relief, Lipper obfuscates the romantic notion of the desert as a land of freedom and self-enlightenment. A lone snake, a dilapidated home, the remains of a cinematic stage set, the head of a fallen woman, a military base, barbed wire: such facts create fiction, and one that serves as an unnerving political admonition concerning the current state of America.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt was in April 2012 that Lipper began to make pictures in the California desert. This was the beginning of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDomesticated Land\u003c\/em\u003e, her enigmatic finale in a trilogy of books, following\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGrapevine\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1988–1992) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003etrip\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1993–1999). The three-part journey, which spanned nearly thirty years and ended in 2016, saw Lipper travel from the forested Appalachian frontiers in the East of the United States – with a stint across the I-10 highway – to the so-called wilderness of the West. Her expedition was anchored in a dual search for ‘true’ America and her own territory: a personal, female perspective of a male-driven land, and a new fictional account of a well-trodden narrative. Pushing and pulling against the documentary tradition, Lipper’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLand\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis her last resort in quest of a redeemable future.\u003c\/p\u003e\n\u003cp\u003eIn other words:\u003c\/p\u003e\n\u003cp\u003e‘\u003cstrong\u003eSusan Lipper’s ‘Domesticated Land’ begins with a beautiful and haunting quote from Annette Kolodny’s ‘The Land Before Her’ and prompts our reading of Susan’s incredible book. It is a brilliant sequence of icily subtle black and white photographs of the American West that both triggers a photographic trajectory back to the 19th century, through Frederick Sommer, and New Topographics, and makes its own departures. Susan, as always, calls forth the very idea of how we gender both subject and photographic vantage point, coupled here with a claiming of this fabled environmental frontier. Bravo dear Susan, ‘Domesticated Land’ is a timely, problematizing and brilliant photographic story.\u003c\/strong\u003e‘ \u003cem\u003eCharlotte Cotton [curator and writer]\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.1000wordsmag.com\/susan-lipper\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14409320366144,"sku":"9781912339037","price":35.0,"currency_code":"GBP","in_stock":false},{"title":"Signed","offer_id":14409320398912,"sku":"9781912339037S","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Doemsticatedland_cover.jpg?v=1756992173"},{"product_id":"vandalism-br-john-divola","title":"Vandalism","description":"\u003cp\u003e\u003cspan\u003eBetween 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, \u003c\/span\u003e\u003cem\u003eVandalism\u003c\/em\u003e\u003cspan\u003e helped to establish Divola’s highly distinctive photographic language. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eJohn Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. \u003c\/span\u003e\u003cem\u003eVandalism\u003c\/em\u003e\u003cspan\u003e (1974-1975) is one Divola’s earliest series, predating \u003c\/span\u003e\u003cem\u003eZuma\u003c\/em\u003e\u003cspan\u003e (1979), \u003c\/span\u003e\u003cem\u003eAs Far as I Could Get\u003c\/em\u003e\u003cspan\u003e (1997) and \u003c\/span\u003e\u003cem\u003eDogs Chasing My Car in the Desert\u003c\/em\u003e\u003cspan\u003e (2004).\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":43230002348258,"sku":"9781912339006","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":43230002381026,"sku":"9781912339006S","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover24.jpg?v=1573740861"},{"product_id":"corbeau-br-anne-golaz","title":"Corbeau","description":"\u003cp\u003ePart memoir, part tableau,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a multi-layered narrative collage tracing life and death in the rural farm on which Swiss artist Anne Golaz grew up. Made over a twelve-year period and bridging three generations, the three-part book weaves together photographs, video stills and drawings, with texts by the author, screenwriter and playwright, Antoine Jaccoud, as well as the artist’s own writings. Jaccoud reconstructs transcripts of conversations between family members and memories recounted by the artist to build this intricate story of stories into a dramatalogical work. The protagonist of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a young man seen in each chapter dutifully working on the farm. Gradually, however, his sense of duty appears to be instilled with doubt, a doubt that infuses the entire book.\u003c\/p\u003e\n\u003cp\u003eExploring themes of time, life, destiny and death,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– which takes its title from an enigmatic poem by Edgar Allan Poe – eludes a chronological order to picture a place in which the future is only reminiscent of the past. And where destiny is shaped in the claire-obscures nooks of childhood. In the artist’s words, the narrative construction exists ‘in a vacuum’, which tellingly offers a framework for both support and destruction. It is within such a circumscribed space that mixed feelings towards heritage arise.\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"English edition","offer_id":14412873007168,"sku":"9781910164747","price":35.0,"currency_code":"GBP","in_stock":true},{"title":"English edition (signed)","offer_id":14412873039936,"sku":"9781910164747S","price":35.0,"currency_code":"GBP","in_stock":true},{"title":"French edition","offer_id":14412873105472,"sku":"9781910164976","price":35.0,"currency_code":"GBP","in_stock":false},{"title":"French edition (signed)","offer_id":14412873138240,"sku":"9781910164976S","price":35.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Corbeau_Cover1_f16f9adf-40a8-42a3-b1b9-854a98849b08.jpg?v=1733409480"},{"product_id":"ravens-br-masahisa-fukase","title":"Ravens","description":"\u003cp\u003e\"Ravens\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. Fukase became the singular raven frozen by his camera and immortalized on the cover of his most famous book.\"\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e– \u003c\/span\u003eTomo Kosuga from his essay\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCries of Solitude\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2017]\u003c\/p\u003e\n\u003cp\u003eConsistently proclaimed as one of the most important photobooks in the history of the medium,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRavens\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Japanese photographer Masahisa Fukase was first published in 1986 and the two subsequent editions were both short print runs that sold out immediately. This bilingual facsimile of the first edition contains a new text by founder of the Masahisa Fukase Archives, Tomo Kosuga. His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. His major books include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYugi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[Homo Ludence] (Chuokoron-sha, 1971);\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eYohko\u003c\/em\u003e(Asahi Sonorama, 1978), and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKarasu [Ravens]\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Sokyu-sha, 1986). Countless solo exhibitions have been dedicated to Fukase’s work, and his photographs have been included in group exhibitions at the MoMA, NY; Oxford Museum of Art; Fondation Cartier pour l’Art Contemporain, Paris; V\u0026amp;A, London. Fukase also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":45505066139874,"sku":"9781910164839","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Ravens_Cover1_a30cfbd8-0df7-453e-99ab-3035eb0740e3.jpg?v=1733409073"},{"product_id":"nausea-br-ron-jude","title":"Nausea","description":"\u003cp\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e—taken from the title of Sartre’s 1938 existential novel—is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American photographer Ron Jude. Departing from mere documentation, Jude lures us into peering through windows, doorways and crevices of walls into empty classrooms and corridors, as we become increasingly conscious of the perils of our own gaze and the uncertainty of looking. \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e established the building blocks for the next twenty-five years of Jude’s photographic output, including \u003c\/span\u003e\u003cem\u003eOther Nature, Alpine Star, Lick Creek Line\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/lago-br-ron-jude\" data-mce-href=\"https:\/\/mackbooks.co.uk\/products\/lago-br-ron-jude\"\u003e\u003cem\u003eLago\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt the heart of \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e lies the premise that philosophical inquiry might be filtered and consumed through photographs, just as it is filtered through Sartre’s work of literary fiction. Taking as his subject the banality of institutional learning, the monotonous spaces and objects captured in \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e serve as a platform for exploring the nexus between the narrative limitations of photography and consciousness. Employing a distinctive visual language, marked by an acute sense of colour, radical framing and shallow focus, Jude created a world both familiar and uncanny, imbued with a pervasive sense of unease.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo mark the 25th anniversary of the inaugural exhibition of \u003c\/span\u003e\u003cem\u003eNausea\u003c\/em\u003e\u003cspan\u003e in 1992 at The Photographers’ Gallery in London, Jude has made an entirely new edit of this work. Many of the photographs in this volume have never before been published or exhibited.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eRon Jude (b. 1965, Los Angeles) lives and works in Eugene, Oregon. His photographs have been exhibited at galleries including The Photographers’ Gallery, London; Daugeu Cultural Center, South Korea; Proekt_Fabrika, Moscow; and Roth\/Horowitz Gallery, New York. He is the co-founder of A-Jump Books and the author of \u003c\/span\u003e\u003cem\u003eAlpine Star, Postcards, Other Nature\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003eEmmett\u003c\/em\u003e\u003cspan\u003e. His other books include \u003c\/span\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/lago-br-ron-jude\" data-mce-href=\"https:\/\/mackbooks.co.uk\/products\/lago-br-ron-jude\"\u003e\u003cem\u003eLago\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e (2015, MACK) and \u003c\/span\u003e\u003cem\u003eLick Creek Line\u003c\/em\u003e\u003cspan\u003e (2012, MACK). Jude has lectured extensively about his work, most recently at The School of the Art Institute of Chicago, and Rochester Institute of Technology. He is represented by Gallery Luisotti in Santa Monica, Robert Morat Galerie in Hamburg, and Galeria Alfacinha in Lisbon. He currently teaches photography at University of Oregon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14414949482560,"sku":"9781910164792","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14414951612480,"sku":"9781910164792S","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover39.jpg?v=1573740707"},{"product_id":"pictures-from-home-br-larry-sultan","title":"Pictures from Home","description":"\u003cp\u003eFirst published in 1992 to wide critical acclaim,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures From Home \u003c\/em\u003eis Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work.\u003c\/p\u003e\n\u003cp\u003eSignificantly increasing the page count of the original book, this MACK design of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures From Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eclarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.\u003c\/p\u003e\n\u003cp\u003e\"What drives me to continue this work is difficult to name. It has more to do with love than with sociology. With being a subject in the drama rather than a witness. And in the odd and jumbled process of working, everything shifts: the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows.\" – Larry Sultan \u003c\/p\u003e\n\u003cp\u003eLarry Sultan (b. 1946, Brooklyn; d. 2009, California) grew up in California’s San Fernando Valley, which became a source of inspiration for a number of his projects. His work blends documentary and staged photography to create images of the psychological as well as physical landscape of suburban family life. Sultan’s work has been exhibited and published widely. Most recently, the Los Angeles County Museum presented a retrospective exhibition dedicated to Sultan. His photography is included in the collections of the Los Angeles County Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Solomon Guggenheim Museum, and the San Francisco Museum of Modern Art. Sultan served as a Distinguished Professor of Photography at California College of the Arts in San Francisco.\u003ca href=\"http:\/\/blog.photoeye.com\/2017\/12\/the-best-books-of-2017.html\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":44039428899042,"sku":"9781910164785","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover604.jpg?v=1632483521"},{"product_id":"the-flying-carpet-br-cesare-fabbri","title":"The Flying Carpet","description":"\u003cp\u003e\u003cem\u003eThe Flying Carpet\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis an enchanting collection of colour and black-and-white photographs taken in and around Cesare Fabbri’s native Emilia-Romagna and Sardinia between 2005–2015. Under Fabbri’s lens we encounter a silent world roused from its slumber, where objects are animated and personified. Fabbri nods to the photographic practice of Luigi Ghirri, bringing to mind the Italian master’s words:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e“the camera is a magical toy capable of bringing together the great and the small, illusion and reality, our adult awareness and the fairy-tale world of childhood.”\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eIndeed, in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Flying Carpet\u003c\/em\u003e, we encounter scenes that might derive from comics – a rural hut with painted questioning eyes, a plant uprooted and hovering mid-air, and an embroidered carpet lifting up in the breeze. \u003c\/p\u003e\n\u003cp\u003eCesare Fabbri (b. 1971 in Ravenna, Italy) studied photography and urban planning at the IUAV in Venice. In 2007 he took part in the Stuttgart Biennale of Photography and Architecture and was shortlisted for the prize Atlante Italiano 007 organised by Museo MAXXI, Roma. With Silvia Loddo he founded in 2009 \u003cem\u003eosservatorio fotografico\u003c\/em\u003e, an experimental platform for research on photography. This is his first book.\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14416240377920,"sku":"9781910164587","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14416250732608,"sku":"9781910164587S","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/FlyingCarpet_cover1.jpg?v=1733408385"},{"product_id":"message-from-the-exterior-br-mark-ruwedel","title":"Message from the Exterior","description":"\u003cp\u003e\u003cem\u003eMessage from the Exterior\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores the ruins and remains of failed attempts to live in the desert’s harsh environments, depicting abandoned houses – small, often eccentric huts, both humorous and a little forlorn. Ruwedel examines the desert regions east of Los Angeles as a palimpsest of cultural and natural histories, presenting an inventory of a particular, and poignant, form of vernacular architecture; each structure might be read as a clue to the lives of anonymous individuals, and the impulse to create a home in the wilderness, however transitory. The first section, 'Desert Houses', comprises 68 desert structures, while the second section, ‘Dusk’, presents houses photographed after the sun had disappeared over the horizon, now rendered in subdued, dusky tones that suggest both present and absence, and the weight of isolation. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMark Ruwedel (b. 1954) lives and works in California. He has exhibited and published internationally for over thirty years, and his work is represented in museums throughout the world: Tate Modern; the J. Paul Getty Museum; LACMA; The Met, New York; National Gallery of Australia, National Gallery of Canada; SF MoMA; and the National Gallery of Art, Washington, amongst others. Previous works include Westward the Course of Empire (Yale University Art Gallery, 2008); 1212 Palms (Yale University Art Gallery, 2010) and Pictures of Hell (RAM Pubs, Los Angeles, 2014). In 2014 he was the recipient of both a Guggenheim Fellowship and the Scotiabank Photography Award.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14417024254016,"sku":"9781910164464","price":45.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14417037361216,"sku":"9781910164464S","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Messages_Cover1.jpg?v=1733408245"},{"product_id":"photography-against-the-grain-essays-and-photo-works-1973-1983-br-allan-sekula","title":"Photography Against the Grain: Essays and Photo Works, 1973–1983","description":"\u003cp\u003eLong out of print, this seminal collection of essays and photographs by artist, theorist, and filmmaker Allan Sekula was originally published by the Nova Scotia College of Art and Design in 1984. Sekula sought to portray the inextricable bond between labour and material culture, drawing deeply on Marxist theory to argue passionately for a collective model of progress. Sekula taught at California Institute of Arts (CalArts) from 1985 until his death in 2013, and from that insider’s position he critiqued photography and the circumstances of its production and consumption, exposing what the medium failed to represent – women, labourers, minorities, and the institutional structures that reinforce cultural biases.\u003c\/p\u003e\n\u003cp\u003eAllan Sekula (1951–2013) was an American artist, whose work spans multiple media: long form photographic series (\u003cem\u003eAerospace Folktales,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e1973;\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eSchool as a Factory,\u003c\/em\u003e1980;\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Without Bodies,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e1991\/96), critical texts (\u003cem\u003eThe Body and the Archive,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e1986 and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDebating Occupy\u003c\/em\u003e, 2012) and film (\u003cem\u003eThe Forgotten Space,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e2012).\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":56647171277173,"sku":"9781910164495","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/PHAgainstheGrain_cover1.jpg?v=1733407988"},{"product_id":"girl-plays-with-snake-br-clare-strand","title":"Girl Plays with Snake","description":"\u003cp\u003e\u003cem\u003eGirl Plays with Snake\u003c\/em\u003e\u003cspan\u003e by Clare Strand comprises images sourced from the darkest recesses of the artist’s extensive archive. The project continues Strand’s decades-long engagement with the scrapbooks, magazines and photographs that she has drawn together since her mid-teens. In this iteration of Strand’s ongoing research and reflection, women and girls are pictured holding, playing with and gazing fondly at snakes. Key to understanding the intention of the imagery is the inclusion of original accompanying text attached to the reverse, revealing stories of the bizarre and the erotic, alongside Myth and Credo. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSiegfried Kracauer would recognise Strand as a dedicated “Rag Picker”. She describes her working method as being like \"rolling in newly cut grass and seeing what you pick up on your jumper”. Strand’s constantly evolving practice brings together intensive research, deadpan humour and insights into popular culture. She shifts from the mysterious and the absurd to understand public obsessions, often via trickery and manipulation. Recently exhibited work includes machines to encourage entropy, web programmes, looped films and intricate photographic constructions subverting, reimagining and manipulating the medium’s origins.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eClare Strand (b.1973) lives and works in Brighton. Solo exhibitions of her work have been held at National Museum of Krakow (2014); Forum Fur Fotografie, Cologne (2010); and Folkwang Museum, Essen (2009). Her work has been included in group exhibitions at Tate Britain; The Hassleblad Center, Gothenburg; Huis Marseille, Amsterdam; The Courtauld Institute, London; Victoria \u0026amp; Albert Museum, London; and Teatro Fernan-Gomez Arts Center, Madrid amongst others. Strand’s work is held in the collections of Arts Council England; The National Collection; British Council; Folkwang Museum; New York Public Library; Victoria \u0026amp; Albert Museum; Centre Pompidou, Paris and most recently MoMA New York and The Mead Gallery, Massachusetts. Two monographs of her work have been published: \u003c\/span\u003e\u003cem\u003eClare Strand\u003c\/em\u003e\u003cspan\u003e (Steidl, 2007) and most recently \u003c\/span\u003e\u003cem\u003eSkirts \u003c\/em\u003e\u003cspan\u003e(GOST, 2013).\u003c\/span\u003e\u003ca href=\"https:\/\/i-d.vice.com\/it\/article\/le-ragazze-che-giocano-con-i-serpenti-di-clare-strand\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14418631884864,"sku":"9781910164556","price":30.0,"currency_code":"GBP","in_stock":false},{"title":"Signed","offer_id":14418632015936,"sku":"9781910164556S","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover52.jpg?v=1573740641"},{"product_id":"hibi-br-masahisa-fukase","title":"Hibi","description":"\u003cp\u003e\u003cem\u003eHibi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eliterally comprises a series of street photographs by renowned Japanese photographer Masahisa Fukase. Each of the black and white images painstakingly attend to the road’s surface – the worn road-markings, the fading lines and arrows eroded by the city’s innumerable inhabitants, a web of fissures in the asphalt. In 1992, Fukase printed and painted the works for a solo exhibition, 'Private Scenes ‘92', held at Nikon Salon in Tokyo. He overlaid a set of bromide prints with fluid drawings in brightly coloured inks and on every image the physical presence of the artist is traced, a shadow-presence which seems to offer a reading, an interpretation but one that can never be fully resolved.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMasahisa Fukase was born in the town of Bifuka in Nakagawa District, Hokkaido, in 1934. He graduated from the Nihon University College of Art’s Photography Department in 1956. Fukase became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Shinsha Publishers. His major collections include Yugi (English: Homo Ludence) (Chuokoronsha, 1971), Yoko (Asahi Sonorama, 1978), and Karasu (English: Ravens) (Sokyusha, 1986). His major group exhibitions include “New Japanese Photography” (New York MoMA, 1974), “Black Sun: The Eyes of Four” (Oxford Museum of Modern Art, 1985), “By Night” (Fondation Cartier pour l’Art Contemporain, 1996), and “OUT OF JAPAN” (Victoria and Albert Museum, 2002). There have been countless solo exhibitions of Fukase's work. He also won numerous prizes, including the 2nd Ina Nobuo Award in 1976 for his exhibition “Karasu” and the Special Award at the 8th Higashikawa Photography Awards in 1992. Fukase tragically fell down a set of stairs in 1992 and suffered a traumatic brain injury from which he never recovered. He passed away in 2012.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":14422134390848,"sku":"9781910164457","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Hibi_Cover1.jpg?v=1733407022"},{"product_id":"got-to-go-br-rosalind-fox-solomon","title":"Got to Go","description":"\u003cp data-mce-fragment=\"1\"\u003ePart memoir and part fiction,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eGot to Go\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epresents a collection of photographs from across Rosalind Fox Solomon’s life, contrasting a narrative of her own early years with other, urgent images that reveal a wider vision of the world, one outside of the rigid boundaries imposed by society and the home. If biography is a net cast upon us by family and shaped by social codes, Fox Solomon lays bare the limits of the net, as she negotiates the cusp between lived life and her imagination. Describing the work as a “tragicomedy”, full of both humour and pathos, Fox Solomon probes the limits we impose on ourselves, not only social codes but also the inherited tenets which are so difficult to escape.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFox Solomon, an American artist based in New York City, is celebrated for her portraits and connection to human suffering, ritual, survival and struggle. Her work has been shown in nearly 30 solo exhibitions and 100 group exhibitions, and is in the collections of over 50 museums worldwide. Her monograph\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/products\/them-br-rosalind-fox-solomon\"\u003e\u003cem\u003eTHEM\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas published by MACK in 2014.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":37696875757726,"sku":"9781910164198","price":50.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":37696875790494,"sku":"9781910164198S","price":50.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/GottoGo_cover1.jpg?v=1733406588"},{"product_id":"spirit-is-bone-br-oliver-chanarin-adam-broomberg","title":"Spirit is a Bone","description":"\u003cdiv class=\"pagetextcolumn\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eThe series of portraits in this book, which include Pussy Riot member Yekaterina Samutsevic and many other Moscow citizens, were created by a machine: a facial recognition system recently developed in Moscow for public security and border control surveillance. The result is more akin to a digital life mask than a photograph; a three-dimensional facsimile of the face that can be easily rotated and closely scrutinised.\u003c\/p\u003e\n\u003cp\u003eWhat is significant about this camera is that it is designed to make portraits without the co-operation of the subject; four lenses operating in tandem to generate a full frontal image of the face, ostensibly looking directly into the camera, even if the subject himself is unaware of being photographed.\u003c\/p\u003e\n\u003cp\u003eThe system was designed for facial recognition purposes in crowded areas such as subway stations, railroad stations, stadiums, concert halls or other public areas but also for photographing people who would normally resist being photographed. Indeed any subject encountering this type of camera is rendered passive, because no matter which direction he or she looks, the face is always rendered looking forward and stripped bare of shadows, make-up, disguises or even poise.\u003c\/p\u003e\n\u003cp\u003eCo-opting this device, Broomberg \u0026amp; Chanarin have constructed their own taxonomy of portraits in contemporary Russia. Echoing August Sander’s seminal work,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCitizens of the Twentieth Century\u003c\/em\u003e, Broomberg \u0026amp; Chanarin have made a series of portraits cast according to professions. But their portraits are produced with this new technology, with little if any human interaction. They are low resolution and fragmented. The success of these images is determined by how precisely this machine can identify its subject: the characteristics of the nose, the eyes, the chin, and how these three intersect. Nevertheless they cannot help being portraits of individuals, struggling and often failing to negotiate a civil contract with state power.\u003c\/p\u003e\n\u003cp\u003eThis book is the result of a series of encounters, interactions and conversations between Broomberg \u0026amp; Chanarin and the photography collections at the Library of Birmingham made possible by a commission from GRAIN and the Library with support from the Arts Council of England.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14511919497280,"sku":"9781910164181","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14511942697024,"sku":"9781910164181S","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Spirit_Cover1.jpg?v=1733397721"},{"product_id":"a-handful-of-dust-second-edition-br-david-campany","title":"a Handful of Dust (Second Edition)","description":"\u003cp\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Waste Land.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“I will show you fear in a handful of dust.”\u003c\/p\u003e\n\u003cp\u003eAnd what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side.\u003c\/p\u003e\n\u003cp\u003eCampany’s connections range far and wide, from aerial reconnaissance and the American dustbowl to Mussolini’s final car journey and the wars in Iraq.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill accompany Campany’s exhibition of the same name, curated for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"ttp:\/\/en.le-bal.com\/fr\/mh\/les-expositions\/upcoming-exhibitions\/a-handful-of-dust\/\"\u003eLe Bal, Paris\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(16 October 2015 – 17 January 2016), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.\u003ca href=\"http:\/\/aperture.org\/blog\/conversation-david-campany\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14515037044800,"sku":"9781910164969","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14515037110336,"sku":"9781910164969S","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Handful_Cover1_4b7dfdf5-b5e6-454a-8a1d-31b60e352274.jpg?v=1733405189"},{"product_id":"a-perpetual-season-br-gregoire-pujade-lauraine","title":"A Perpetual Season","description":"\u003cp\u003e\u003cem\u003eA Perpetual Season\u003c\/em\u003e lays a photographic trail through a dream-like city, offering glimpses into a network of spaces that loom as silent witnesses to some forgotten order. Recurring concrete shapes and perplexed human beings punctuate the journey with a faintly elegiac tone which conjures up an inverted Arcadia, illuminated by the hopes and visions of a bygone era. This is fertile ground for a series of unsettling encounters which act as cryptic symptoms of an ominous presence – a reversed staircase, an unreachable doorway, people frozen in precarious gestures, disturbed conversations.\u003c\/p\u003e\n\u003cp\u003eThis 'perpetual season' alludes to a self-contained pictorial space, and the naturalistic approach embedded in such photographic practice is a guise for the construction of a world that ultimately belies its own familiarity. The formal and thematic echoes running throughout the sequence can be viewed as transverse lines drawn within an apparent chaos, connecting discarded buildings with bewildered passers-by, decaying natural arrangements with enigmatic corridors. As each is seemingly doubled or reincarnated, they condense in this peculiar scope of light and space, like an ever-returning cross-section of a global cycle.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eGrégoire Pujade-Lauraine \u003cspan\u003e(b. 1981) \u003c\/span\u003eis a photographic artist living in London, whose work has been exhibited in various European venues. \u003cem\u003eA Perpetual Season\u003c\/em\u003e is his second book. \u003cem\u003eThe Significant Savages\u003c\/em\u003e, his first book, was recently selected for the third volume of Martin Parr and Gerry Badger's \u003cem\u003eThe Photobook: A History.\u003c\/em\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003ca href=\"http:\/\/blog.photoeye.com\/2015\/04\/book-of-week-pick-by-sarah-bradley.html\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":14602347544640,"sku":"9781910164051","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":14602347610176,"sku":"9781910164051S","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/APerpetual_Cover1_d4eaae05-c6e7-4871-b26a-c1823c9989a2.jpg?v=1733405795"},{"product_id":"them-br-rosalind-fox-solomon","title":"THEM","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eRosalind Fox Solomon spent five months in Israel and the West Bank during 2010–11, working in Jerusalem, Tel Aviv, Nahariya, Bethlehem and Jenin. Travelling by local bus along with commuter workers, she photographed Jewish teenagers at Purim, Christians at the Church of the Holy Sepulchre, and Ghanaian pilgrims at the Mount of Olives. The photographs contain numerous interwoven narratives, some with particular political charge, such as the casket of Juliano Mer-Khamis, a Palestinian activist of dual descent who established the Freedom Theatre, assassinated during Solomon's visit to the territory.\u003c\/p\u003e\n\u003cp\u003eHer photographs are informed by an acute sensitivity to lives conditioned by race and religion, ethnicity and location. Through a cacophonous image sequence, Solomon articulates the turmoil of her experience of the region, recounting 'I felt the tension. The stress.... I wanted to express the chaos and pressure that was around me'. Punctuating the images are fragments of text – amusing and frightening background conversations, recorded in Solomon's journal; the texts reveal the humanity of each person photographed, a window onto lives conditioned by violence and uncertainty.\u003c\/p\u003e\n\u003cp\u003eSolomon, an American artist based in New York City, is celebrated for her portraits and for her connection to human suffering, ritual, survival and struggle. Her work has been shown in nearly 30 solo exhibitions and 100 group exhibitions, and is in the collections of over 50 museums worldwide.\u003c\/p\u003e\n\u003cp\u003eThis is a short film\u003cspan\u003e \u003c\/span\u003eon YouTube from the extraordinary performance in New York by Rosalind Solomon relating to this body of work.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.youtube.com\/watch?v=5NmSNbqJ3IY\" target=\"_blank\"\u003eClick here to view\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":15190721298496,"sku":"9781910164013","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover93.jpg?v=1573740838"},{"product_id":"kodachrome-br-luigi-ghirri","title":"Kodachrome","description":"\u003cp\u003eIn 1978 Luigi Ghirri self-published his first book, an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas long been out of print and on the 20th anniversary of Ghirri’s death, MACK is proud to publish the second edition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Ghirri fights to maintain our ability to see. His works are powerful devices for the re-education of the gaze. They alter the perception we have of the world without proposing a single path to follow, rather they provide us with the tools we need to find the one we’re looking for.’\u003c\/em\u003eFrancesco Zanot\u003c\/p\u003e\n\u003cp\u003ePart amateur photo-album, Ghirri presents his surroundings in tightly cropped images, making photographs of photographs and recording the Italian landscape through it’s adverts, postcards, potted plants, walls, windows, and people. His work is deadpan, reflecting a dry wit, and is a continuous engagement with the subject of reality and of landscape as a snapshot of our interaction with the world.\u003c\/p\u003e\n\u003cp\u003eThis new edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e, alongside French and German translations of the original texts from the book (which were published in English and Italian).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory… to the point at which we might merge with them… The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eLuigi Ghirri\u003c\/p\u003e\n\u003cp\u003eBorn in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992.\u003c\/p\u003e\n\u003cp\u003ePhotography critic and curator Francesco Zanot has been working with some of the most renowned European and international photographers, including Alec Soth and Olivo Barbieri, for over 10 years. He has participated in multiple conferences and seminars on photography in different institutions such as Columbia University in New York and the American Academy in Rome. 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Just when the world should be sleeping, it offers a heightened performance of itself.\u003c\/p\u003e\n\u003cp\u003eWe never really see people or places: we see the light they reflect. 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Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":16540692906048,"sku":"9781907946417_2","price":200.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":39311332016286,"sku":"9781907946417S_2","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover144.jpg?v=1585048988"},{"product_id":"april-dawn-alison-br-erin-o-toole-ed","title":"April Dawn Alison","description":"\u003cp class=\"p1\"\u003eMade over the course of some thirty years, the photographs in this book depict the many faces of April Dawn Alison, the female persona of an Oakland, California based photographer who lived in the world as a man. 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As part of a series of off-site artist commissions supported by Bloomberg, Petersen was invited by The Photographers’ Gallery to undertake a four-week residency in the bubbling creative underbelly of London. Turning his direct and unflinching gaze to the streets of Soho, Petersen produced a series which is both penetrating and sensitive to his subjects. His intimate, diaristic style of coarse black and white photography captures the essence of today's Soho while drawing you back into the depths of its history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor a month Petersen immersed himself in the life of the famous London district, documenting the streets, pubs, cafes and private homes of the residents. This latest instalment of his series City Diaries is a testament to the dynamism and diversity of the area and the people who frequent and live in it. \u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24240266477632,"sku":"9781907946226","price":200.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/Soho_Cover1.jpg?v=1734617690"},{"product_id":"nationalgalerie-br-thomas-demand","title":"Nationalgalerie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThomas Demand's work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGerman language only\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24243857129536,"sku":"9783865219411","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers217.jpg?v=1573740701"},{"product_id":"american-night-br-paul-graham","title":"American Night","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003ePaul Graham's photographs touch upon the social fracture of America - the great divide between the included and excluded, blacks and whites, haves and have-nots. Taking on a simple topic, of late dealt with only through cliché photojournalism, American Night embraces neglected territory in a series of shocking images that sit on the fence between art and document. Graham's images blind and overwhelm the viewer with a feeling akin to stepping out of a sheltered place and into the sunlight.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrained of color, shadow and form, they resonate with the lives of those they portray... and then the sequence snaps, either to a vibrant full-color image of a freshly minted dream house, complete with a blue sky and green grass of unattainable perfection, or to an intensely dark street portrait... before returning to the endless blinding whiteness of everyday life. Beyond their paucity or wealth of color these images contrast one another in their content: These perfect homes are unobtainable to those walking in the burnt landscape; they are a mirage, a dream or promise that can almost never be reached. Here is the chasm between promise and actuality, hope and reality, dream and truth. 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In \u003cem\u003eEnd of an Age\u003c\/em\u003e, British photographer Paul Graham captures the threshold moments that mark the ending of adolescence – the small slice of time between youthful indulgence and the emerging awareness of adult responsibilities. His photographs resonate between these two poles: between full-on consciousness and escape; between staring the world in the eye or shying away; between seeing the world with shocking clarity and the desire to hide oneself from that reality: turn away, get drunk, close your eyes, get stoned. It is a situation that each of us knows and remembers all too well as a traumatic time. And it is often the threshold of a profound psychological transformation – a chartless sea in which one might successfully navigate, get becalmed, or simply drown.\u003c\/p\u003e\n\u003cp\u003ePaul Graham’s pictures consider this point in one’s life and reflect upon its trauma, uncertainty, and pain. 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He doesn't revisit old haunts and the images aren't dominated by the geography of the region but Stavanger becomes a generous theatre for Rødlands exploration of the incongruous complexities both of his own mind and that of our culture. The centre of Norways oil industry, this Protestant coastal city has seen a tremendous economic growth since the late 1960s and Rødland utilises a diverse array of pictorial languages to reflect on the paradoxes which arise with the addition of newfound wealth and materialism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTorbjørn Rødland was born in 1970 in Stavanger, Norway. Since the mid-90s his photographs and experimental video works have been exhibited extensively. Rødlands White Planet Black Heart was released in 2006 by SteidlMack. I Want to Live Innocent is co-produced by Stavanger2008 European Capital of Culture. \u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24245686566976,"sku":"9783865216175","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers211.jpg?v=1584975547"},{"product_id":"white-planet-black-heart-br-torbjorn-rodland","title":"White Planet Black Heart","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTorbjørn Rødland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too insane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. \u003c\/span\u003eRødland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes? Bleak black-and-white renditions of countryside churches? George W. Bush's favorite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet, Black Heart makes no excuses as it reinvents the romantic impulses of popular culture. This is \u003cspan\u003eR\u003c\/span\u003e\u003cspan\u003eø\u003c\/span\u003e\u003cspan\u003edland\u003c\/span\u003e's first book.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24245891891264,"sku":"9783865212221","price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers210.jpg?v=1573740871"},{"product_id":"neighbours-nachbarn-br-collier-schorr","title":"Neighbours Nachbarn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eAmerican photographer Collier Schorr has been working on and off in Southern Germany for the past 12 years, compiling a documentary and fictional portrait of a small town inhabited by historical apparitions. For Schorr, the German landscape is a map of her own history, both imagined and inherited. Combining the overlapping roles of war photographer, traveling portraitist, anthropologist and family historian, in this series, entitled \u003ci\u003eForests and Fields\u003c\/i\u003e, Schorr tells the interwoven stories of a place and time determined by memory, nationalism, war, emigration and family.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24246083420224,"sku":"9783865213037","price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers209.jpg?v=1573740710"},{"product_id":"field-trip-br-martin-kollar","title":"Field Trip","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eBetween November 2009 and January 2011, Slovakian photographer Martin Kollar spent extended periods of time working and living in Israel, building a photographic dossier on one of the most contentious geographical zones of modern history. Kollar's past, a childhood spent behind the Iron Curtain, echoed unexpectedly during his time in Israel. The delineated territories of today's Israel mirror the partition walls of Communist Czechoslovakia during 'normalisation'. Random police searches and detentions piqued Kollar's sense of constantly being under surveillance and the subject of suspicion. Field Trip establishes an opaque representation of the life and landscape of Israel. Military presence looms heavily and the images are punctuated with anxiety. Butchered animals combine with uncertain portraits of Israeli residents and leave the viewer unclear where the military landscape ends and the civilian land begins. The work in Field Trip is just that - the result of a trip, an investigative and inquisitive one, tinged with paranoia, the result being a beautiful, stark, often humorous and complex photographic diary of a well-trodden land. This traumatic album epitomizes frontline photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMartin Kollar was born in Zilina, Czechoslovakia (now Slovak Republic). He studied at the Academy of Performing Arts Bratislava and has been working as a freelance photographer and cinematographer since he graduated. He has received several grants and awards, including the Fuji Film Euro Press Photo Award and the Backlight Photography Award in Finland. His work has been exhibited across the world, including Maison Europeen de la Photography Paris, France, Rencontres d' Arles in France, MOCA Shanghai China, Guandong Museum of Art in China and Month of Photography in Krakow. He has\u003c\/span\u003e\u003cspan\u003e published two photography books, Nothing Special (2008) and Cahier (2011).\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":36882188402846,"sku":"9781907946486","price":70.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":36882188435614,"sku":"9781907946486S","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers202.jpg?v=1573740629"},{"product_id":"the-present-br-paul-graham","title":"The Present","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eStreet photography is perhaps the defining genre of photographic art. Seminal \u003cem\u003eThe Present\u003c\/em\u003e is Paul Graham's contribution to this legacy. The images in this book come unbidden from the streets of New York, but are not quite what we might expect, for each moment is brought to us with its double - two images taken from the same location, separated only by the briefest fraction of time. \u003cem\u003eThe Present\u003c\/em\u003e is the third in Paul Graham's trilogy of projects on America which began with \u003cem\u003eAmerican Night\u003c\/em\u003e in 2003 and was followed in 2007 by \u003cem\u003ea shimmer of possibility\u003c\/em\u003e (winner of the Paris Photo Book Prize 2011 for the most significant photo book of the past 15 years). \u003cem\u003eThe Present\u003c\/em\u003e takes Graham's reputation as a master of the book form to new heights, employing multiple gatefolds to convey passages of time and the unfolding of urban life.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca title=\"Alec Soth Bookshelf Tour MACK LIVE\" href=\"https:\/\/mackbooks.co.uk\/pages\/live\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Signed","offer_id":36882184372382,"sku":"9781907946189S","price":300.0,"currency_code":"GBP","in_stock":true},{"title":"Unsigned","offer_id":36882184339614,"sku":"9781907946189","price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers196.jpg?v=1573740833"},{"product_id":"films-br-paul-graham","title":"Films","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eFilms\u003c\/em\u003e is Paul Graham's eulogy to the physical material of photography: Film. The 20th century's greatest medium has undergone a catastrophic decline over the past decade as digital cameras have swept aside the traditional process of taking photographs. Film has died: Kodacolor, Fujicolor, Tri-X, Kodachrome, Ektacolor - all evocative names for any photographer - are now gone or fading fast. Yet this magical material is a true product of both science: silver salts suspended in gelatin emulsion on celluloid base, and magical alchemy: it could capture light. Film became the defining material of 20th century creativity, and is ubiquitous to every great artist of photography and film making.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile examining his past 30 years of work for the 2009 survey exhibition and book, Graham became enamoured with the material of his craft, and began to reflect upon the physical substance by which he, and all photographers, made their images. Besides scanning his images for the survey, he also scanned the blank film ends and unexposed frames from each body of work to gather an alternative survey, a 'negative retrospective' of his practice. What first appears to be abstract dots, blobs or colour forms, are in fact just greatly magnified images of the raw film emulsion - the color dye clouds formed in the exposure and development of film. These images are not abstract at all, but extreme close-ups of the film's structure - the red, green and blue dyes that form film emulsion, which comprise each and every celluloid image in existence. Their beauteous complication, the wonder of their granular form, irrespective of what they describe, is given here for us to enjoy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraham presents us a timely tribute to the passing of film. The grains, color dyes and black and white crystals, make images of beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photographic material in the 20th century.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":24250221232192,"sku":"9781907946028","price":100.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers167.jpg?v=1573740629"},{"product_id":"lets-sit-down-before-we-go-br-bertien-van-manen","title":"Let's sit down before we go","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe photos in this book have been made between 1991 and 2009 in Russia, Moldova, Kazachstan, Uzbekistan, Ukraine, Tatarstan, Georgia. The editing and sequencing of the images have been done by Stephen Gill. The title of these series, ‘Lets’s sit down before we go’, is a metaphor for the subject of the images. An old habit in Russia. Before leaving for a long journey, people sit down for a moment and think about where they will be going and why.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":36882360696990,"sku":"9781907946127","price":300.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":36882360729758,"sku":"9781907946127S","price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/covers166.jpg?v=1573740679"},{"product_id":"mother-br-paul-graham","title":"Mother","description":"\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003eArtists drawing or painting their mother has become iconic in art history—from Whistler through Freud, Cezanne, Hockney, Ingres, Gauguin or Durer, whose brutally honest portraits of his mother insisted that \u003ci\u003e‘\u003c\/i\u003e\u003ci\u003eEven the smallest wrinkles and veins must not be ignored\u003cspan\u003e’\u003c\/span\u003e\u003c\/i\u003e. Paul Graham’s first major body of work since 2014’s\u003ci\u003e Does Yellow Run Forever?\u003c\/i\u003e contains portraits of his elderly mother sitting in her chair in a retirement community in England.\u003c\/p\u003e\n\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003eGraham’s camera hardly moves, with his mother asleep, eyes closed, in almost every image. Our palette is the gentle tones of old age—a flowered blouse, a pink or lavender cardigan—the light comes from a single daylight window, soft, natural and constant. With little attempt to photographically ‘entertain’ us, we begin to notice subtle shifts of carefully chosen focus, from one eye to another, to a loose thread on a button or a stray wisp of hair. Frozen in time, the fraying of life is expressed through modest details. Powerful emotional resonance arrives through tender observation. \u003c\/p\u003e\n\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003eMortality and the slow unraveling of late old age is the principal subject here, but there is also a duality at the core of these images: as we teeter between life and death, child and parent reverse roles—the watched-over becomes the watcher, the created becomes the creator.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39533908066462,"sku":"9781912339457","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover248.jpg?v=1573740692"},{"product_id":"the-canary-and-the-hammer-br-lisa-barnard","title":"The Canary and The Hammer","description":"\u003cp\u003ePhotographed across four years and four continents, \u003ci\u003eThe Canary and The Hammer\u003c\/i\u003e details our reverence for gold and its role in humanity’s ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the global economy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGold is ubiquitous in modern life; the mineral is concealed at the heart of much of the technology we use and is, most fundamentally, a potent symbol of value, beauty, purity, greed and political power. \u003ci\u003eThe Canary and The Hammer \u003c\/i\u003estrives to connect these disparate stories—from the mania of the gold rush and the brutal world of modern mining, to the sexual politics of the industry and gold’s often dark but indispensable role at the heart of high-tech industry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrompted by the financial crisis of 2008 and its stark reminder of the global west’s determination to accumulate wealth, Barnard sets out to question gold’s continued status as economic barometer amidst new intangible forms of technological high—finance. By addressing this through photography, Barnard in turn raises the question of how her chosen medium can respond to such abstract events and concepts. The result is an ambitious project, one sketching a personal journey in which she ultimately tackles the complexity of material representation in these fragmented and troubling times.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":28036066771008,"sku":"9781912339334","price":40.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":28036066803776,"sku":"9781912339617","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/files\/TheCanary_cover1.jpg?v=1733415316"},{"product_id":"dein-kampf-br-brad-feuerhelm","title":"Dein Kampf","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFrom its title to its formal arrangement of language, Brad Feuerhelm’s\u003c\/span\u003e\u003ci style=\"font-size: 0.875rem;\"\u003e Dein Kampf \u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003esuggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFragments of the past and symbols of capitalist modernity underpin the work–banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm’s work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. \u003ci\u003eDein Kampf\u003c\/i\u003e is Feuerhelm’s proposition about how we activate image and ideology in the book form.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":28036753719360,"sku":"9781912339587","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Signed","offer_id":28036786716736,"sku":"9781912339587S","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover273.jpg?v=1573740607"},{"product_id":"stable-vices-br-joanna-piotrowska-1","title":"Stable Vices","description":"\u003cp class=\"p1\"\u003eThe themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, \u003cem\u003eStable Vices\u003c\/em\u003e focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. Piotrowska appropriates the formulaic step-by-step approach of the manuals but instead of showing two people in contact, she photographs the (re-) actions of one woman in conflict with an unknown, absent subject. While Gilligan argues in her book that teenage girls risk losing their voice in patriarchal societies, Piotrowska seeks to re-present their agency in corporeal form, and indicates – through the invisible opponent – the underlying pressures they have to confront. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. Sculptural in form, these temporary refuges nod to the children’s game of making houses at home, as if domestic space would not provide enough protection. The constructions also reference the makeshift ‘homes’ of homeless people. 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On one level this extensive body of work can be viewed as a fascinating document of an always-compelling transition. Closer scrutiny reveals further nuances; a collaboration, a partnership, a personal portrait and at the same time a universal picture of adolescence. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDrabble chose not to depict significant events that might appear in a family album nor definitive moments associated with documentary photography. Instead, these photographs concentrate on the listless, off-scene periods, the ‘in between moments’ of everyday life. This focus on the marginal passages of disregarded time situates the viewer at the heart of adolescence, defined as the period between childhood and adulthood, suspended between longing (for the deferred promise of adulthood) and regret (for the loss of childhood as refuge).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy photographing the same person repeatedly and intimately over their formative years, a sense of mirroring began to emerge, reawakening something of the artist’s own adolescent self, blurring the line between portrait and self-portrait. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNeil Drabble grew up in a grey, 1970s Manchester, watching American TV shows, and fantasising about a perceived glamour of an adolescence lived in places where teenagers ate pizza, drank Dr Pepper, chatted on the phone to friends until late and drove cars rather than waiting at rainy bus stops. The process of picturing Roy and the collaboration between the older photographer and younger subject allowed Drabble in some ways to re-stage his own teenage years and vicariously engage with aspects of an alternate American youth he had coveted across the Atlantic.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIncludes texts by Lynne Tillman  \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":28037167775808,"sku":"9781912339501","price":35.0,"currency_code":"GBP","in_stock":false},{"title":"Signed","offer_id":29177409437748,"sku":"9781912339501S","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover277.jpg?v=1573740589"},{"product_id":"shirley-baker-br-lou-stoppard-ed","title":"Shirley Baker","description":"\u003cp class=\"p1\"\u003e\u003cspan\u003eShirley Baker developed her first photograph as a young girl \u003ci\u003e‘\u003c\/i\u003efrom the darkness of the coal shed\u003ci\u003e’\u003c\/i\u003e in her hometown of Salford, Northwest England. From this moment, she developed a lifelong interest in documentary photography, amounting to a vast and celebrated archival collection that spans the length of her career, dating from the 1950s until 2000. Edited by Lou Stoppard, this book presents an extensive–and, uniquely, female–depiction of post-war life; an eccentric survey which combines her better-known street photographs of Manchester, Salford and Blackpool with previously unseen photographs that span the UK, all the way to the South of France, Italy and Japan. Instances of humour abound in the collection, casting a spotlight on the idiosyncrasies of British identity: a high street shopper cocks his head echoing the mannequin behind him, an older\u003c\/span\u003e\u003cspan\u003e woman with cigarette-wrinkled lips looks into the lens with an almost comic stoicism, children play, mimicking adults. \u003c\/span\u003e\u003cspan\u003eThe changing landscapes, fashions, photographic styles and tones that make up the sequence are woven together by Baker’s singular attentiveness to moments of wit and warmth in daily life.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":28037381292096,"sku":"9781912339518","price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover299.jpg?v=1573740776"},{"product_id":"the-castle-br-richard-mosse-br-reprint","title":"The Castle","description":"\u003cp\u003eRichard Mosse has spent the past few years documenting the ongoing refugee and migration crisis, repurposing military-grade camera technology to confront how governments and societies perceive refugees. His latest book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Castle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a meticulous record of refugee camps located across mass migration routes from the Middle East and Central Asia into the European Union via Turkey. Using a thermal video camera intended for long-range border enforcement, Mosse films the camps from high elevations to draw attention to the ways in which each interrelates with, or is divorced from, adjacent citizen infrastructure. His source footage is then broken down into hundreds of individual frames, which are digitally overlapped in a grid formation to create composite heat maps.\u003c\/p\u003e\n\u003cp\u003eTruncating time and space, Mosse’s images speak to the lived experience of refugees indefinitely awaiting asylum and trapped in a Byzantine state of limbo. The book is divided into 28 sites, each presenting an annotated sequence of close-up images that fold out into a panoramic heat map. Within this format, Mosse underscores the provisional architecture of the camps and the ways in which each camp is variously marginalised, concealed, regulated, militarized, integrated, and\/or dispersed. His images point to the glaring disconnect between the brisk free trade of globalized capitalism and the dehumanizing erosion of international refugee law in European nation-states. Named after Kafka’s 1926 novel,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Castle\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eprompts questions about the ‘visibility’ of refugees and the erosion of their human rights.\u003c\/p\u003e\n\u003cp\u003eThe book comes with a separate book of texts, including a poem by Behrouz Boochani, the journalist, novelist and Iranian refugee currently held by the Australian government in confinement on Manus island, an essay by Paul K. Saint-Amour, associate Professor of English at the University of Pennsylvania, an essay by philosopher Judith Butler, and a text by Richard Mosse.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":29092219879476,"sku":"9781912339181","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0035\/7439\/9040\/products\/cover291.jpg?v=1573740798"},{"product_id":"day-sleeper-dorothea-lange-sam-contis-ed","title":"Day Sleeper","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003eIn this book\u003ci\u003e \u003c\/i\u003eSam Contis presents a new window onto the work of the iconic American photographer Dorothea Lange. Drawing from Lange’s extensive archive, Contis constructs a fragmented, unfamiliar world centred around the figure of the day sleeper – at once a symbol of respite and oblivion. 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Tired of the mystical thinking and emotionalism that had underscored Bay Area photography since the 1940s, Thomas pursued a photographic practice grounded in ideas gleaned from conceptual art and Structuralist philosophy. A cohort of other photographers, including Donna-Lee Phillips and Hal Fischer, embraced Thomas’ mission, joining him in what became known as the ‘Photography and Language’ movement, named after a book and group exhibition of the same title produced by Thomas in 1976.\u003c\/p\u003e\n\u003cp\u003eThomas, Phillips and Fischer were all extremely active in the mid to late 1970s. In addition to making their own artwork, they published essays, reviewed shows and organized exhibitions. 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