This special screening presents two films by Joanna Piotrowska to mark the release of her new book Stable Vices. Alluding to the visual language of scientific experimentation, Piotrowska studies encounters between the staged and spontaneous as she explores animal instincts and domestic environments.
The films will only be available via MACK during the live transmission.
Thursday 15 April 2020
19:00 BST, London
14:00 EDT, New York
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About Stable Vices
The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. Piotrowska appropriates the formulaic step-by-step approach of the manuals but instead of showing two people in contact, she photographs the (re-) actions of one woman in conflict with an unknown, absent subject. While Gilligan argues in her book that teenage girls risk losing their voice in patriarchal societies, Piotrowska seeks to re-present their agency in corporeal form, and indicates – through the invisible opponent – the underlying pressures they have to confront. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. Sculptural in form, these temporary refuges nod to the children’s game of making houses at home, as if domestic space would not provide enough protection. The constructions also reference the makeshift ‘homes’ of homeless people. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.
The book includes essays from Sara De Chiara, Joanna Bednarek and Dorota Masłowska.
To find out more and to order copies of the book visit here