Sometime in early 2019 Kim Bourus invited me to her gallery, Higher Pictures, in Manhattan, to show me a book by Susan Lipper titled Grapevine, a classic I’d never laid eyes on, and Kim had a hunch it was my kind of book. Photographed in stark black and white with a flash-mounted Hasselblad, Grapevine chronicles scenes from daily life in a small, rural enclave in West Virginia.
In response to all my questions about his honeymoon in Sardinia, Guido told me I should also talk to Maurizio Preda. I therefore found out that there were actually three of them on the trip. Guido and his wife were accompanied by one of the close friends with whom he and Marta shared a house during his years studying architecture at university in Venice before they were married. So I called Maurizio to hear his account of the young photographer Guido in Sardinia. Talking to him was like opening a treasure chest of precious memories and anecdotes told with the enthusiasm of someone who gets excited about the great friendship of a lifetime, as if Guido were as dear to him as a brother.